Άλμπουμ από «Carlos Kleiber»
ALBUMC.P.E. Bach: Cello Concerto in B-Flat Major - Telemann: Suite in B-Flat MajorCarlos Kleiber, Irene Güdel & Hamburger Rundfunkorchester
ALBUM3 x OffenbachCarlos Kleiber, Alfons Holte, Eva Kasper, Deutschen Oper am Rhein Orchestra, Karl Diekmann, Gabrielle Treskow, Ditha Sommer, Erika Wien, Fritz Ollendorff, Sanders Schier & Anni Korner
ALBUMDvořák: Piano ConcertoSviatoslav Richter, Bavarian State Orchestra & Carlos Kleiber
ALBUMBeethoven: Symphony No. 5 (The Works)Carlos Kleiber & Vienna Philharmonic
ALBUMVerdi: OtelloOrchestra del Teatro alla Scala di Milano, Chorus of La Scala & Carlos Kleiber
ALBUMRichard Strauss: Der RosenkavalierClaire Watson, Karl Ridderbusch, Brigitte Fassbaender, Bayerische Staatsopernchor, Bavarian State Orchestra, Carlos Kleiber, Lucia Popp, Benno Kusche, Aneliese Waas, David Thaw, Margarethe Bence, Albrecht Peter, Georg Paskuda, Franz Klarwein & William Holley
ALBUMWagner: Tristan Und IsoldeCarlos Kleiber, Catarina Ligendza, Helge Brilioth, Kurt Moll & Yvonne Minton
ALBUMThe Works - Beethoven: Symphony No. 5Carlos Kleiber & Vienna Philharmonic
ALBUMStrauss: Der RosenkavalierBavarian State Orchestra, Bayerische Staatsopernchor & Carlos Kleiber
ALBUMTristan Und IsoldeCarlos Kleiber
Λίστες αναπαραγωγής καλλιτέχνη
Carlos Kleiber Essentials
This judicious conductor didn't adore the studio, but still made every recording session count.
Βιογραφία καλλιτέχνη
Poll after poll has placed Carlos Kleiber among the greatest conductors of all time, yet this strangely reserved man was the polar opposite of the charismatic podium showman. Born in Berlin in 1930, he never held a permanent post with a major orchestra, his repertoire was highly selective, and his recorded legacy was very small: just three Beethoven symphonies, two of Schubert, and one of Brahms; a handful of operas; and hardly anything else (he gave up studio recordings in 1982, when he was in his early fifties). A perfectionist with a laser eye for detail, he demanded plenty of rehearsal time, and when he famously walked out of sessions for Wagner’s Tristan und Isolde (1859), it was not for prima donna-ish reasons, but rather because he genuinely despaired of ever achieving his ideal. Even so, that Tristan is widely regarded as one of the finest recordings of the opera ever made. His studio versions of Weber’s Der Freischütz (1821) and Bizet’s Carmen (1875) and the live recording of Strauss’ Der Rosenkavalier (1910) are also cherished by many musicians and critics. The miracle remains that such perfectionism regularly resulted in something close to magic. Since his death in 2004, his reputation has grown to legendary status.
Ιδιαίτερη πατρίδα
Berlin, Germany
Είδος
Classical