Album Results

Tim's Bio 

Timbaland

Tim's Bio

Genre: RAP/HIP HOP
Label: Blackground Entertainment
Release date: 1998

Album Reviews

Timbaland, the producer most responsible for the sound of hip-hop circa the late '90s, finally released his proper solo debut (after a 1997 LP recorded as Timbaland & Magoo) in late 1998. It's not quite the personal statement implied in the title, but it is full of excellent productions. He spoofs the hip-hop fad of sampling '80s pop by rewiring familiar themes, like those of Spiderman and I Dream of Jeanie, into barely recognizable forms. Timbaland regulars like Missy Elliott and Magoo contribute tracks, though the best songs here feature multi-platinum rappers like Nas ("To My") and Jay-Z ("Lobster & Scrimp"). Though his trademark style of stuttered beats and obtuse samples is probably best witnessed on singles by Missy Elliott and Aaliyah, Tim's Bio is a solid introduction to the talents of hip-hop's best young producer of the late '90s. ~ John Bush, All Music Guide

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Track Listing


1.  Intro more
2.  I Get It On more
3.  To My more
4.  Here We Come more
5.  Wit' Yo' Bad Self more
6.  Lobster & Scrimp more
7.  What Cha Ya Know About This more
8.  Can't Nobody more
9.  What Cha Talkin' Bout more
10.  Put' Em On more
11.  Fat Rabbit more
12.  Who Am I more
13.  Talking On The Phone more
14.  Keep It Real more
15.  John Blaze more
16.  Birthday more
17.  3:30 In The Morning more
18.  Outro more
19.  Bringin' It more
Featured Review
Beat Control Beat Control
Tilly And The Wall
"O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future.
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