Album Results

Various

Genre: ROCK/POP
Label: Sony Music Entertainment (UK) Limited
Release date: 2002


Disc 1 of 2
1. Loaded	Primal Scream	more

2. I Feel Free	Cream	more

3. Afro Left	Djum Djum Leftfield	more

4. If You Don't Want Me To Destroy You	Super Furry Animals	more

5. Too Greedy	Super Cat	more

6. Take A Heart	Sorrows	more

7. Stalk Of Sinsemilla	Black Uhuru	more

8. Sun Is Shining	Bob Marley & Th...	more

9. We Have All The Time In The World	Fun Lovin' Criminals	more

10. Do You Love Me	Nick Cave	more

11. Mustt Mustt	Nusrat Fateh Al...	more

12. Stop Your Sobbing	Pretenders	more

13. Even After All	Finley Quaye	more

14. Remember: (Walking In The Sand)	The Shangri-Las	more

15. Rushing	Moby	more

16. Wondrous Place	Billy Fury	more

17. Rez	Underworld	more

Disc 2 of 2
1. I Can See For Miles	The Who	more

2. Bankrobber	The Clash	more

3. Blue Song	Mint Royale	more

4. Itchycoo Park	Small Faces	more

5. Skunk Funk	Galliano	more

6. Absurd	Fluke	more

7. Magic Carpet Ride	Steppenwolf	more

8. Bill Davey's Daughter	Stereophonics	more

9. Her Eyes Are A Blue Million Miles	Captain Beefhea...	more

10. The Book	Salt City Orchestra	more

11. Restless	Johnny Kidd & T...	more

12. Rocky Mountain Way	Joe Walsh	more

13. Coloured City	Laurent Garnier	more

14. There Goes My First Love	The Drifters	more

15. The Rubber Band Man	Detroit Spinners	more

16. Black Magic Woman	Santana	more

17. Papua New Guinea	The Future Soun...	more

18. In A Silent Way	Miles Davis	more

Featured Review
	Greatest Day Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
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