Album Results

Organik 

Robert Miles

Organik

Genre: DANCE
Label: S:alt Records Limited
Release date: 2001

Album Reviews

When an artist you've never heard of is said to have sold "over 10 million records worldwide," it's usually time to turn off the TV and go to bed. But when the artist in question has managed to get Trilok Gurtu, Bill Laswell, and Nitin Sawhney to help him out with his sophomore effort, then it's a fair bet you're dealing with someone more interesting than Richard Clayderman. Robert Miles (a transplanted Swiss-Italian whose real name is Roberto Concina) is credited with keyboards and programming throughout Organik, the mood of which is pretty consistently dark and downtempo. There are hints of tribal/trance exotica on "Separation," while the uncredited female singer interacts nicely with Dhruba Ghosh's sarangi on "Paths" to create a sort of bhangrafied trip-hop. Laswell contributes fretless bass on the melodically enticing but still slightly creepy "Release Me" and on two improvisations, both of them just as creepy without being as melodically enticing. Overall, the program will appeal greatly to texture freaks, those with a taste for the unnervingly exotic, and those who generally enjoy anything Laswell gets involved with. ~ Rick Anderson, All Music Guide

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Track Listing


1.  Tsbol more
2.  Separation more
3.  Paths more
4.  Wrong more
5.  It's All Coming Back more
6.  Pour Te Parler more
7.  Trance Shapes more
8.  Connections more
9.  Release Me more
10.  Improvisations Pt.1 more
11.  Improvisations Pt.2 more
12.  Endless more
Featured Review
The Holy Pictures
David Holmes
Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date.
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