Album Results
Badly Drawn Boy
Have You Fed The Fish?: A.K.A. ALL POSSIBILITIES
Genre:
ROCK/POP
Label:
XL Recordings Limited
Release date: 2002
Album Reviews
The glossy production on Badly Drawn Boy's Have You Fed the Fish? adds a brassy sheen to even the most seemingly heartfelt songs, such as "You Were Right," which features the line "I'm turning Madonna down/And I'm calling it my best move." Actually, this lyric encapsulates many of Have You Fed the Fish?'s characteristics at once -- it's trying to be quirky and yet mainstream at the same time, it's initially cute and yet a little too clever-clever. Songs like the jangly, off-kilter funk of "Using Our Feet," the title track, and "40 Days, 40 Fights" are similar. Not coincidentally, the shorter songs and vignettes that dot Have You Fed the Fish? reveal more of Badly Drawn Boy's strengths -- the delicate, acoustic "I Was Wrong," the lush instrumental "Centerpeace," and the sweet, Lennon-y love song "Instrumental Lines" recall the dazzling, kaleidoscopic beauty of The Hour of Bewilderbeast. Yet for every misstep there are successes like the witty funk-pop of "The Further I Slide" and "All Possibilities," which blends disco strings and mariachi horns into a bittersweet yet uplifting gem. "What Is It Now?" is a quintessential Badly Drawn Boy single, while "How" is a searching ballad that features the motion, emotion, and surprises that define Damon Gough's best work, and recalls the self-reflexive style of singer/songwriters like Don McLean and Elton John to boot. ~ Heather Phares, All Music Guide
Track Listing
| 1. Coming Into Land |
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| 2. Have You Fed The Fish? |
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| 3. Born Again |
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| 4. 40 Days 40 Fights |
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| 5. All Possibilities |
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| 6. I Was Wrong |
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| 7. You Were Right |
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| 8. Centrepeace |
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| 9. How? |
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| 10. The Further I Slide |
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| 11. Imaginary Lines |
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| 12. Using Our Feet |
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| 13. Tickets To What You Need |
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| 14. What Is It Now? |
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| 15. Bedside Story |
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| Featured Review | |
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Hallelujah Alexandra Burke |
| What any music lover needs to do before listening to this very familiar track, written by Leonard Cohen and made famous by Jeff Buckley, is put their X-Factor prejudices on hold. After all, it's about the music, talent and voice, right? In any case is it such a bad thing that we have a popular talent show to find good singers? The only reason it polarizes people is the love-hate relationship that the populace seem to have with the the rather clever, opinionated and vocal Mr Cowell. This, however, should not detract us from the fact that Miss Burke deserves her place in the limelight and with a lot of work her talent is bound to flourish. She is undoubtedly a great singer - her comparisons with Leona are totally unfounded, as she has a completely different personality & style and the tone to her voice is more Braxton than Mariah. In any case, doesn't the UK have room for 2 extremely likeable, young divas? As far as the song is concerned, she sings it with passion, sounding great on the radio, especially towards the end of the 3 minute 33 second running time, where she warbles her way effortlessly through some of the high notes of the chorus. We should ignore the fact that the team behind the production have changed the arrangement of the song in order to shorten it for broadcast (by leaving out some of the verses) making it incomprehensible lyrically and just enjoy its ability to make the hairs on the back of your stand on end. A deserved UK number one record. Stuart A. Copyright © Shazam Entertainment Limited 2009. All rights reserved. | |
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