Album Results

O Sister Where Art Thou? THE FINEST WOMEN OF FOLK, COUNTRY & BLUEGRASS

Various

O Sister Where Art Thou?: THE FINEST WOMEN OF FOLK...

Genre: FOLK/ROOTS
Label: Warner Music UK Limited
Release date: 2002

Track Listing

Disc 1 of 2
1.  When God Dips His Pen Of Love In My Heart The Cox Family
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2.  Baby, Now That I've Found You Alison Krauss
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3.  If I Could Only Win Your Love Emmylou Harris
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4.  My Tennessee Mountain Home Maria Muldaur
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5.  Cash On The Barrelhead Dolly Parton
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6.  Down At The Twist And Shout Mary Chapin Car...
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7.  The Boys Are Back In Town Patty Loveless
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8.  Love Has No Pride Bonnie Raitt
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9.  Cathy's Clown Reba McEntire
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10.  Sand And Water Beth Nielsen Chapman
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11.  Mountain Fern Laura Cantrell
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12.  Blue Bayou Linda Ronstadt
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13.  Everyday I Write The Book Alison Brown
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14.  Tb Blues Alice Gerrard
Hazel Dickens
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15.  Baby Don't You Know Mandy Barnett
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16.  When My Morning Comes Around Iris Dement
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17.  A Soft Palce To Fall Allison Moorer
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18.  From A Distance Nanci Griffith
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19.  Love Can Build A Bridge The Judds
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20.  Fields Of Gold Eva Cassidy
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Disc 2 of 2
1.  I've Just Seen A Face The Forester Sisters
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2.  My Dixie Darlin' Carlene Carter
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3.  Man Of Constant Sorrow Sharon Shannon
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4.  You Don't Love Me Anymore Lynn Miles
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5.  Go Back Chalee Tennison
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6.  Promise You Anything Stacey Earle
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7.  Big Bones Gal k.d. lang
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8.  Girls With Guitars Wynonna
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9.  My Baby Loves Me Martina McBride
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10.  Penny To My Name Eva Cassidy
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11.  Trouble In The Fields Nanci Griffith
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12.  Wayfarin' Stranger Maria McKee
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13.  Sleepy Little Sailor Oh Susanna
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14.  The Dark End Of The Street Linda Gail Lewis
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15.  The Littlest Birds The Be Good Tanyas
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16.  Is The Grass Any Bluer Rhonda Vincent
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17.  West Virginia, My Home Hazel Dickens
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18.  Wind And Rain Gillian Welch
David Steele
David Rawlings
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19.  Leaving This Land Suzanne Thomas
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20.  I Will Always Love You Dolly Parton
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Featured Review
Greatest Day Greatest Day
Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
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