Album Results

Various

Genre: POP
Label: SR International
Release date: 2001


Disc 1 of 2
1. No. 1 Hit Medley	Modern Talking	more

2. The Turbo-Megamix: (Short Cut)	Bad Boys Blue	more

3. Der "Ferien"-Mix	Udo Jürgens	more

4. Schöner Fremder Mann: (ich bin Dolly B.), (Summer...	Dolly Buster	more

5. The Sexy Hit Mix: (Sexy Single Mix)	Hot Chocolate	more

6. Hit Mix	Cordalis	more

7. The Hit Mix: (Radio Edit)	A La Carte	more

8. Megamix '98: (Single Mix)	Fancy	more

9. Der Kurze NDW Kult Mix	Hubert Kah	more

10. Hit Mix: (Ballermal Mix kurze Version)	Bata Illic	more

11. Hit Revue: (Der Radio Mix)	Geier Sturzflug	more

12. The 666 Megamix	666	more

13. We Want You - Megamix '97	Village People	more

14. Heaven 17 Megamix	Heaven 17	more

15. Mega-Mix '98: (Original Mix)	Moti Special Rod D	more

Disc 2 of 2
1. C.C. Catch Megamix '98: (Long Version)	C.C. Catch	more

2. Mega Mix - La Bouche Medley	La Bouche	more

3. Going Back To My Ballermann: (Megamix)	Odyssey	more

4. Die Mega Fete: (Dance, Dance, Dance)	Howard Carpendale	more

5. Balla-Megamix	Freeez	more

6. Tribute To Smokie: (The Hitmix)	Mickey Chinn	more

7. Italo Medley	Tony Cutugno	more

8. Italo Medley	Tony Esposito	more

9. Balla 2000: (Balla Balla)	Francesco Napoli	more

10. Wahnsinn	Wolfgang Petry	more

11. Ibos Paella Mega-Mix	IBO	more

12. Dich Zu Lieben: (Remix)	Roland Kaiser	more

13. Der Marianne Rosenberg Hitmix: (Maxi Version)	Marianne Rosenberg	more

14. Party Hitmix: (Party Mix 1)	Pur & Das Beste...	more

Featured Review
	Greatest Day Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
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