Album Results

Trance Tower ENTER THE ULTIMATE TRANCE CLUB COLLECTION

Various

Trance Tower: ENTER THE ULTIMATE TRANCE CLUB COLLECTION

Genre: DANCE
Label: BMG Ariola Media GmbH
Release date: 1996

Track Listing

Disc 1 of 2
1.  Shadows Sharam
RNB
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2.  That Sound DJ Disco
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3.  Lost In Space 98 Space Frog
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4.  Back To The Jungle Jungle Kids
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5.  The Circle DJ Tomcraft
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6.  Crash Course WestBam
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7.  Let Me Take You: (On Journey) Van Bellen
more
8.  Tha Horns Of Jericho DJ Supreme
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9.  Chase Trance Atlantic...
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10.  Patrik Dr. Mottes Euph...
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11.  Forerunner D.J. Slug
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12.  Voice DJ Dimitri
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13.  Talkin' About Nalin & Kane
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14.  Alternation Cherrymoon Trax
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15.  NRG Talla
Tom Wax
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16.  The Rebel Yves DeRuyter
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17.  Free Love Marusha
more
18.  It's A New Day Viper
more
19.  Enter The Trance Tower Final Tranceport
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Disc 2 of 2
1.  Your Own Reality Kai Tracid
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2.  Feeling Good Huff & Herb
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3.  Diablo 666
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4.  Funky Beats Groove Gangsters
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5.  Back Again Renegade Masters
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6.  Superstar Novy
Eniac
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7.  Planet Love DJ Quicksilver
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8.  The Music's Got Me Brooklyn Bounce
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9.  Time To Make The Floor Burn Bossi
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10.  Progress: (There Is) Dyno
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11.  My Resting Place Karma
more
12.  Boom Dr. Gump
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13.  Give Me Love Global Cee
more
14.  Instant Movements R.O.O.S.
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15.  I Pray DJ Priest
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16.  Let It Roll De Donatis
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17.  Lunatic Child DJ Mo
Marc De Clarq
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18.  Travelling Hitch Hiker
Dumondt
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19.  Emergency Object One
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Featured Review
Greatest Day Greatest Day
Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
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