Album Results

Now That's What I Call Music 55 

Various

Now That's What I Call Music 55

Genre: POP
Release date: 2003

Track Listing

Disc 1 of 2
1.  Ignition: Remix R. Kelly
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2.  In Da Club 50 Cent
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3.  Cry Me A River Justin Timberlake
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4.  No Letting Go Wayne Wonder
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5.  Real Things Javine
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6.  Come On Over Kym Marsh
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7.  No Good Advice Girls Aloud
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8.  Not Gonna Get Us t.A.T.u.
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9.  Fool No More S Club 8
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10.  The Fast Food Song Fast Food Rockers
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11.  Fly On The Wings Of Love XTM & DJ Chucky...
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12.  Lately Lisa Scott-Lee
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13.  Shakespeare's Words: (Way With) One True Voice
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14.  Husan Bhangra Knights
Husan
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15.  Loneliness Tomcraft
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16.  Hot In Herre Jake Shears
Tiga
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17.  All Over Lisa Maffia
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18.  Satisfaction Benny Benassi P...
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19.  Deepest Blue Deepest Blue
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20.  Sunlight DJ Sammy
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21.  Damaged Plummet
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22.  Nothing But You Hemstock & Jennings
Paul Van Dyk
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23.  The Night Scooter
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Disc 2 of 2
1.  Come Undone Robbie Williams
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2.  You Said No Busted
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3.  I Can't Read You Daniel Bedingfield
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4.  Misfit Amy Studt
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5.  Big Sur The Thrills
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6.  God Put A Smile On Your Face Coldplay
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7.  Everything Eventually Appleton
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8.  Don't Let Go David Sneddon
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9.  The Long Goodbye Ronan Keating
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10.  Incredible: (What I Meant To Say) Darius
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11.  Just The Way I'm Feeling Feeder
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12.  What You Need Is... Sinead Quinn
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13.  On The Horizon Melanie C
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14.  Free Me Emma
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15.  Say Goodbye S Club
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16.  Shape Sugababes
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17.  Excuse Me Miss Jay-Z
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18.  I Need You: (Boy) Mariah Carey
Cam'Ron
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19.  Mesmerize Ja Rule
Ashanti
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Featured Review
Kids Kids
MGMT
With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing!
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