Album Results

The Dome VOL.27;DIE CHARTPARTY DER MEGASTARS

Various

The Dome: VOL.27, DIE CHARTPARTY DER MEGASTARS

Genre: POP
Label: Warner Strategic Marketing
Release date: 2003

Track Listing

Disc 1 of 2
1.  Ab In Den Süden Buddy
DJ The Wave
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2.  Maria: (I LIKE IT LOUD) Scooter
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3.  Pump It Up Joe Budden
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4.  All The Girls B3
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5.  The Magic Key Cool-T
One-T
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6.  Burger Dance DJ Ötzi
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7.  Get Busy Sean Paul
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8.  Aya Benzer 2003: (MOONLIGHT) Mustafa Sandal
Gülcan
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9.  Ey, Ey, Ey Vanessa S.
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10.  Alright Reamonn
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11.  Angel Of Berlin Martin Kesici
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12.  Reanimate Patrick Nuo
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13.  Ten Steps Back Jess
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14.  Do My Diddy: (DO THE BALLYDANCE) Mykel Angel
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15.  You Gotta Be You D!nation
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16.  Flying High Captain Hollywood
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17.  Home Alone Special D.
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18.  Generation Of Love Rocco
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19.  1, 2, 3 Keep The Spirit Alive Jan Wayne
Danielle
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20.  Hands Up Levée
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21.  Zuhause: (AZZURO) Die Gerd Show
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Disc 2 of 2
1.  In The Shadows The Rasmus
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2.  Stuck Stacie Orrico
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3.  No Letting Go Wayne Wonder
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4.  Aicha Outlandish
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5.  I Will Follow You Judith Lefeber
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6.  Ich Kenne Nichts: (DAS SO SCHÖN IST WIE DU) Xavier Naidoo
RZA
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7.  Murder Reigns Ja Rule
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8.  Every Single Star The Voices
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9.  Miss Independent Kelly Clarkson
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10.  I Don't Think So Gracia
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11.  Right Now Jeanette
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12.  Everybody Cha Cha Cecil Jonni Lauro
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13.  Someday No Angels
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14.  Stress: (RELAX MIX) Fetsum
Massive Töne
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15.  Summer Jam 2003 The Underdog Pr...
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16.  Young Love: (TOPLESS) Kid Alex
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17.  What Is Love: >RELOADED< Haddaway
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18.  Don't You Want Me NFK
East End Rockers
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19.  Sounds Like A Melody Lichtenfels
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20.  Football's Coming Home: (THREE LIONS) Hermes House Band
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Featured Review
Greatest Day Greatest Day
Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
more  more

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