Album Results
Album Reviews
One by One is the most accomplished album Foo Fighters have made, which isn't necessarily the same as the best. Picking up the clean, focused sound and attitude of There Is Nothing Left to Lose, One by One is gleaming hard rock: it may have a shiny production, but hits hard in its rhythm and its impeccably distorted guitars. Dave Grohl's songs often express (or at least suggest) tortured emotions in their lyrics, but the album doesn't hit at a gut-level; it's too polished for that. It's not a bad thing, since the band is damn good and the production is more focused than any of the Foos' previous albums. The problem is, Grohl's songwriting has slipped slightly. It's still sturdy and melodic, yet not as immediate or memorable. Nothing is as majestic as "Learn to Fly," haunting as "Everlong," gut-crunching as "Monkey Wrench," or even as boneheadedly irresistible as their contribution to the Orange County soundtrack, "The One". Instead, it all fits together and sounds good as a piece, without offering individual moments to savor. Not the worst tradeoff, of course, but it's hard not to wish that the songs stuck in your head the way they used to, even if the album is still enjoyable as a whole. ~ Stephen Thomas Erlewine, All Music Guide
Track Listing
| 1. All My Life |
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| 2. Low |
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| 3. Have It All |
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| 4. Time Like These |
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| 5. Disenchanted Lullaby |
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| 6. Tired Of You |
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| 7. Halo |
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| 8. Lonely As You |
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| 9. Overdrive |
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| 10. Burn Away |
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| 11. Come Back |
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| 12. Walking A Line |
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| 13. Sister Europe |
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| 14. Danny Says |
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| 15. Life Of Illusion |
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| 16. For All The Cows: (Live in Amsterdam) |
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| 17. Monkey Wrench: (Live in Melbourne) |
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| Featured Review | |
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Kids MGMT |
| With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing! | |
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