Album Results
Album Reviews
The rise of goth/prog metal seemed to reach a peak at the turn of the century, with an endless supply of bands offering their own spin on the subgenre. Only a handful of these bands seem to have anything interesting or unique to offer, namely Lacuna Coil, Lana Lane, the Gathering, and After Forever, among selected others. With the release of Mother Earth, there was little doubt that the cream of the crop had indeed risen to the top. They refined their approach to feature lead vocalist Sharon den Adel and dumped the growling death metal-style vocals that typify this form of music. The single "Ice Queen" reached number one in both the Netherlands and Belgium and the album itself went gold. Another single, "Our Farewell," was also released to moderate success. Their music features Celtic and folk influences that contribute to a mature and confident sound that their contemporaries seem to struggle with. Ms. den Adel has that elusive and intangible presence that a great band needs to have from their leader, especially on the live stage. A landmark release that set new standards for creativity, musicianship, and taste -- not just for goth/prog metal, but for any style of music. This was easily one of the best releases of 2001. ~ Robert Taylor, All Music Guide
Track Listing
| 1. Mother Earth |
more
|
|
| 2. Dark Wings |
more
|
|
| 3. Our Farewell |
more
|
|
| Featured Review | |
|
|
Breakeven The Script |
| With Christmas round the corner, clichéd stories about broken relationships seem to be everywhere, consumed as strange comfort sources for lovers of unadventurous musical experiences. The latest of them is perpetrated by another of the recent World Music Awards winners: The Script, celebrating the gong as best Selling Irish act with a third slice of polished boredom taken from the trio's eponymous debut. "Breakeven" is a far more ordinary affair than their former, breakthrough singles; an adult ballad that confirms the band as the not-too distant cousins of OneRepublic and other chart-teasing bands, halfway between blue-eyed soul and old-fashioned AOR. | |
|
|
|

more