Album Results
Album Reviews
By the third year of their existence, Blue had gotten into a rhythm, released a single in early November, watched it become a radio favorite and hopefully a big hit, too (which of course they nearly always were), and then before anybody forgets, they dropped the album into the mix and hey presto, another number one. And so it was with the third album, Guilty, which arrived at the end of 2003, in almost exactly the same week of the year as the first two albums, All Rise and One Love. And it followed the same pattern as its predecessors, hitting number one in its first week, but unlike those albums, it had a pretty speedy ascension to the upper regions of the chart, leaving the Top Ten just as December turned. Despite being the band's third consecutive number one, the reason for its comparative failure was the track chosen for the second single. On the previous album, Elton John had made a guest appearance on his original track, "Sorry Seems to Be the Hardest Word," and it easily sailed to number one, but on Guilty, the equivalent track was "Signed Sealed Delivered I'm Yours," which featured the original singer, Stevie Wonder and also Angie Stone. "Signed Sealed Delivered" became their first single not to reach the Top Ten. Perhaps it was just not as strong a song as the Elton John collaboration. Also, Blue had moved in a different direction, with the funk-soul tracks "Bubblin," "Taste It," and "Back It Up" more prominent than their smooth soul/R&B-like "Rock the Night" and "Breathe Easy," which they had become known for on the first two albums. Finally, even the debut single and title track taken from Guilty and the final song "No Goodbyes" were straying perilously close to Westlife territory and to many Blue fans, the most important thing about them was that they were not as bland as Westlife. ~ Sharon Mawer, All Music Guide
Track Listing
| 1. Stand Up |
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| 2. Signed, Sealed, Delivered I'm Yours |
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| 3. Taste It |
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| 4. Guilty |
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| 5. Bubblin' |
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| 6. Rock The Night |
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| 7. When Summer's Gone |
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| 8. Alive |
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| 9. I Wanna Know |
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| 10. Back It Up |
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| 11. Breathe Easy |
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| 12. Walk Away |
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| 13. Where You Want Me |
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| 14. How's A Man Supposed To Change? |
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| 15. No Goodbyes |
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| Featured Review | |
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Human The Killers |
| Before Stuart Price and The Killers originally hooked up in 2004 the worlds of dance and indie were often mutually exclusive with dance remixes of indie tracks, despite a few notable exceptions, often no more than mismanaged afterthoughts. However, when the Thin White Duke remix of 'Mr Brightside' burst on the scene it captured the imagination of both the indie kids and the clubbing masses and became one of the most talked about tracks on both the pages of NME and Mixmag. Fast forward four years and post Klaxons indie dance has almost become a cliché with every new band and its dog incorporating synthesizers and drum machines. Still, this hasn't deterred The Killers reuniting with Mr Price to produce their third album, 'Day & Age'. Production wise The Killers latest offering, 'Human', takes plenty of cues from synth pop and nu-wave as well as Stuart Price's earlier work as Zoot Woman. All in all the track works pretty efficiently with a big electronic sounding drum kit pushing the song along to its dance infused instrumental outro. However on closer inspection of Brandon Flower's nonsensical lyrics seems to let all the shiny production down. Take the grammatically incredulous chorus line of 'Are we human or are we dancer' which simply begs the question, "What does he mean?!" Like The Killer's live performance at the European Music Awards that was all at once motionless and spectacular thanks to the use of Fifty foot LCD screens, 'Human' may well be a case of style over substance. | |
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