Album Results
Album Reviews
Prior to one of Rush's first U.S. tours, original drummer John Rutsey split from the band, since he wasn't prepared to commit to the band's rigorous touring schedule. And it proved to be a blessing in disguise, since his replacement was to become one of the most respected rock drummers of all time, Neil Peart, who would also steer the band towards success with more challenging material -- starting with Fly by Night. While the title track and the album-closing ballad, "In the End," still had Zeppelin roots, the album isn't as straightforward as the debut. Rush's first bona-fide classic, "Anthem," is included, while the over eight-minute "By-Tor and the Snow Dog" helped pave the way for the group's future epics ("2112," "Cygnus X-1," etc.), and introduced the fans to Peart's imaginative lyric writing, often tinged with science fiction themes. The reflective and melodic "Making Memories" is an underrated early composition, while "Beneath, Between, & Behind" is a furious heavy rocker. Fly by Night may not be one of Rush's finest albums, but it is one of their most important -- it showed that the young band was leaving their Zep-isms behind in favor of a more challenging and original direction. ~ Greg Prato, All Music Guide
Track Listing
| 1. Anthem |
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| 2. Best I Can |
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| 3. Beneath, Between & Behind |
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| 4. By-Tor & The Snow Dog |
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| 5. Fly By Night |
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| 6. Making Memories |
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| 7. Rivendell |
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| 8. In The End |
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| Featured Review | |
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Human The Killers |
| Before Stuart Price and The Killers originally hooked up in 2004 the worlds of dance and indie were often mutually exclusive with dance remixes of indie tracks, despite a few notable exceptions, often no more than mismanaged afterthoughts. However, when the Thin White Duke remix of 'Mr Brightside' burst on the scene it captured the imagination of both the indie kids and the clubbing masses and became one of the most talked about tracks on both the pages of NME and Mixmag. Fast forward four years and post Klaxons indie dance has almost become a cliché with every new band and its dog incorporating synthesizers and drum machines. Still, this hasn't deterred The Killers reuniting with Mr Price to produce their third album, 'Day & Age'. Production wise The Killers latest offering, 'Human', takes plenty of cues from synth pop and nu-wave as well as Stuart Price's earlier work as Zoot Woman. All in all the track works pretty efficiently with a big electronic sounding drum kit pushing the song along to its dance infused instrumental outro. However on closer inspection of Brandon Flower's nonsensical lyrics seems to let all the shiny production down. Take the grammatically incredulous chorus line of 'Are we human or are we dancer' which simply begs the question, "What does he mean?!" Like The Killer's live performance at the European Music Awards that was all at once motionless and spectacular thanks to the use of Fifty foot LCD screens, 'Human' may well be a case of style over substance. | |
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