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Alison Krauss gets introspective and personal on her seventh album, one of her solo outings that shoves Union Station in the background while conventional country steps up to the spotlight. But Krauss is a little too sharp for Nashville standard, so Forget About It sounds more like an adult pop album with occasional notes of country grace. Unfortunately, the material here isn't very inspired (despite a dip into the Todd Rundgren songbook and the fine title tune), and Krauss herself has a hard time elevating it. Still, her fragile, angelic voice is capable of working wonders, which it often does with even the weakest of songs. A marginal effort. ~ Michael Gallucci, All Music Guide
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Don't Believe In Love Dido |
| After almost 5 years, Dido is back...and was it worth the wait? The single sounds like it could have come off the last album, with a great chorus and sumptuous strings carrying the melody and packing an emotional punch in the process. Apparently this and most of "Safe Trip Home" was written about her recent breakup. Well, it worked for Winehouse with 'Back to Black', so why not? However, lyrics aside, it's actually a good little pop song and it's surprising how little radio play it has had, resulting in a relatively low chart placing. Maybe people are waiting for the album (now out), which she has worked on with the likes of Brian Eno & Jon Brion (Keane), as her sales are remarkably high due to her loyal fan case. The first two shifted over 24 millions copies worldwide between them. After a brief listen, it seems that Dido has released the strongest song first, as she did with 'White Flag' from her last effort. However, this is not of that magnitude unfortunately and the album feels a bit low key and 'samey'. But, as with all great albums, only time will tell and this lead single more than merits the wait: the haunting vocals and polished production will at least push the extremely talented Dido back into the public's consciousness, where she belongs! | |
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