Album Results
Album Reviews
After several inexplicable record company delays to the project and a four-year hiatus, Tamia's long-awaited third album finds her sticking to many of the roots that were in place through her previous releases. Her voice is stronger than ever and while she hasn't really lost a step, it's the producers who equally share the spotlight here. On each track, they present a different environment in which Tamia can flex her skills. From the pop-savvy genius of Jermaine Dupri and Trackmasters taking her to the club dancefloors and radio-friendly unit shifters ("More" and "Still") to the 7 Aurelius ballad "Officially Missing You," which takes a blatant page from the Babyface book of ballad production, she delivers a strong performance right from the onset of the record. There are moments of filler (getting through "Still" is a tedious exercise in patience at times), especially if you're looking for shades of innovation. While there are moments of pure R&B pop indulgence that will satisfy casual listeners and those looking for the hits, More really doesn't break new ground, nor does it separate her from the rest of the pack (right down to the Beyoncé/Lopez image makeover in the packaging) of acrobatic divas who adhere to the same formulas. ~ Rob Theakston, All Music Guide
Track Listing
| 1. On My Way |
Red Café |
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| 2. More |
Freck The Billi... |
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| 3. Officially Missing You |
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| 4. Still |
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| 5. Questions |
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| 6. Whispers |
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| 7. I'm Yours Lately |
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| 8. Into You |
Fabolous Feat. Tamia |
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| 9. Smile |
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| 10. Poetry |
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| 11. Mr Cool |
Mario Winans |
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| 12. Close To You: (they long to be) |
Gerald Levert |
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| 13. Why Ask Why |
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| 14. Tomorrow |
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| Featured Review | |
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The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
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