Album Results
Album Reviews
As more and more great rappers find the underground is the perfect place to camp -- for the respect and freedom, if not the royalties and pay-offs -- records like Aceyalone's Love & Hate will, fortunately, become a more common occurrence. Released on Project Blowed, an open-mic night that gradually morphed into a winning record label, the album is a simple, straight-ahead match of excellent MC with great producers. Four of the best tracks come from PMD, front-loaded and featuring big-pimpin' beats and a clutch of cutting, digital effects. Def Jux's RJD2 contributes fractured, glittering productions to "Lost Your Mind" and "Takeoff," and the same label's El-P drops by to produce and drop rhymes over the dense, apocalyptic "City of Shit." Aceyalone also rises to the challenge on another high-profile underground soundclash, "Lights Out" featuring Antipop Consortium, picking up and casting off a dozen vocal pseudonyms in a single verse. His rhymes are among the best of his career, and he covers a lot of ground over 15 cuts; nearly every time he makes a record, he makes it clear that rap music has so much possibility that's never dreamed of by most on a major label. Whether he's trading licks with Oakland hero Casual on a hard-hitting jam ("Let Me Hear Sumn"), or talking directly to the listener, recounting a depressing, mood-of-the-country conversation during an airline flight ("Ms. Amerikka"), he makes it clear that, when it comes to the West Coast ten years on from the G-funk era, Aceyalone means much more than Snoop Dogg. ~ John Bush, All Music Guide
Track Listing
| 1. Love & Hate Theme |
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| 2. Junkman |
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| 3. Let Me Hear Sumn |
Casual Big Arch |
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| 4. Lost Your Mind |
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| 5. In Stereo |
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| 6. Takeoff |
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| 7. Love & Hate |
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| 8. The Saga Continues |
Abstract Rude |
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| 9. Moonlit Skies |
Goapele |
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| 10. Ace Cowboy |
The Soul Of Joh... |
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| 11. So Much Pain |
Riddlore Self Jupiter |
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| 12. Find Out |
Riddlore |
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| 13. City Of Shit |
El-P |
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| 14. Lights Out |
Sayyid Ano Priest |
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| 15. Ms. Amerikkka: (Cuts By J-rocc) |
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| Featured Review | |
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Greatest Day Take That |
| It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work | |
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