Album Results
Album Reviews
Taking three years to release their follow-up to Mutter is a good idea since Reise, Reise is more of the same -- the same grit, the same growl, and the same dramatic, orchestra choruses. There's a bit more ingenuity in the production and a little more focus in the songs but not enough for the nonfaithful to pick up on. Unfortunately the lead single, "Mein Teil," is no "Du Hast," but the damning "Amerika" almost equals their breakthrough track. Whether or not Rammstein's label has the guts to release the band's acerbic "Coca-Cola/Sometimes War" view of the States as a single is another question, but it's the key track to the album, an album that has a couple more, minor surprises. The loose, bluesy guitar on "Los" adds some quirk to the band's stern, Teutonic palette, while the sinister "Stein Um Stein" creeps more than stomps in parts. That's it for twists and turns, but few bands can industrially grind as convincingly as Rammstein. Same as it ever was, Reise, Reise won't do much to increase the band's fan base, but being a tight, free-of-filler album, it'll satisfy the faithful. ~ David Jeffries, All Music Guide
Track Listing
| 1. Reise, Reise |
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| 2. Mein Teil |
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| 3. Dalai Lama |
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| 4. Keine Lust |
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| 5. Los |
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| 6. Amerika |
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| 7. Moskau |
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| 8. Morgenstern |
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| 9. Stein Um Stein |
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| 10. Ohne Dich |
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| 11. Amour |
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| Featured Review | |
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Breakeven The Script |
| With Christmas round the corner, clichéd stories about broken relationships seem to be everywhere, consumed as strange comfort sources for lovers of unadventurous musical experiences. The latest of them is perpetrated by another of the recent World Music Awards winners: The Script, celebrating the gong as best Selling Irish act with a third slice of polished boredom taken from the trio's eponymous debut. "Breakeven" is a far more ordinary affair than their former, breakthrough singles; an adult ballad that confirms the band as the not-too distant cousins of OneRepublic and other chart-teasing bands, halfway between blue-eyed soul and old-fashioned AOR. | |
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