Album Results
Album Reviews
The Curb reissue of Shelby Lynne's 1995 album, Restless, is a compelling one. While Lynne has undergone almost continual -- and mostly positive -- reinvention since she resurfaced with I Am Shelby Lynne in 2000, it's interesting to hear her on this Brent Maher-produced slab of swinging-for-the-charts commercial country. Of course, her voice is a trademark; whether she's singing the new traditionalist honky tonk of Maher's own "Another Chance at Love," Jamie O'Hara's weeper "Talkin' to Myself Again," or the jazzy country-pop that is Rod McGaha's "I Wish I Knew," the commitment to excellence is total. But these tracks, fine as they are, offer no revelation of Lynne's true "restlessness," which resides in her own R&B-tinged hard country shuffle "Slow Me Down" and in the numbers she wrote with Maher and O'Hara, including the title cut, the Western swing of "Reach for the Rhythm," and the hot jazz gypsy swing of "Swingtown," which closes the set. Here, Lynne reveals in spades that her voice has no limitations when it comes to reaching for the margins in classic American music. She can sing jazz, blues, and R&B, and rock a honky tonk with the best of them. In its day, Restless was dismissed as gimmicky for its stubborn refusal to follow "the format." History has vindicated Shelby Lynne. That this set would get a second chance when so many of the recordings of her contemporaries have long since been deleted or hit the buck bin is proof of the album's elusive yet enduring excellence. ~ Thom Jurek, All Music Guide
Track Listing
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Positif Mr. Oizo |
| While a lot of the recent Ed Banger releases, Justice aside, seem to scraping the barrel of electro, Mr Oizo continues to produce interesting and challenging dance music. Positif is no exception, a jarring monster of a track that is currently receiving plays from a number of electro luminaries. Erol Alkan featured the track in his A-Z on Rob Da Bank. The stop start samples and drum beats give way to a bass line that is sure to cause seizures when reverberating from any club's speakers. While for some people Mr. Oizo may never shake off "that advert", those who continue to keep up with his output are sure to carry on enjoying one of France's finest exponents of electronic music. | |
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