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Album Reviews
Adam Ant adopted a '50s-style rock & roll sound for his third solo album, achieving a pastiche with some of the effervescence, but none of the definition (or popularity), of Elton John's "Crocodile Rock." Producer Tony Visconti tried to give him some of the plastic rock legitimacy of Ziggy Stardust-era David Bowie, but Ant was even goofier, and especially with his vocals smothered in harmony and echo and buried in the mix, he wasn't so much transformed into a rocker manque as rendered anonymous on his own record. The best track was the year-old U.K. Top 40 hit "Apollo 9," which had some of the manic energy of the Adam and the Ants hits. If the rest of the album had recreated its dizzy spirit, Ant might have made the comeback he needed with Vive Le Rock. Or maybe not--it's possible that his moment simply had passed. In any case, the album flopped on both sides of the Atlantic, Ant was dropped by his record label, and he didn't make another album for more than four years. [Vive Le Rock was reissued in 1996 with the added track "Mohair Locker Room Pin-Up Boys."] ~ William Ruhlmann, All Music Guide
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I'm Yours Jason Mraz |
| In a market where only grown-ups are still buying records, the supply of acts to cater for their tastes seems to be endless. From Mechanicsville, Virginia comes the latest US star ready to join the Didos and James Blunts of this world, feeding the global appetite for mindless escapism, Jason Mraz. "I'm yours" is a blander than a marshmallow slice of reggae-tinged pop, with a chilled holiday vibe attached to it. It had been part of the singer's live shows for quite a while, but wasn't released in a record until this year, hitting the Billboard Top 3 last summer and becoming his biggest hit to date, while dragging quite a few comparisons with US' favourite pop surfer Jack Johnson in the meantime. Included in Mraz's third album "We Sing, We Dance, We Steal Things", a work described by the singer as inspired by "moments of self realization, self empowerment and self improvement". Could this be the musical equivalent to a self-help manual, then? ©2008 Shazam Entertainment Limited. All rights reserved. | |
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