Album Results
Field Mob
Light Poles And Pine Trees: DISTURBING THA PEACE P...
Genre:
RAP/HIP HOP
Label:
Geffen Records
Release date: 2006
Album Reviews
Integrated as a significant part of Ludacris' Disturbing tha Peace collective, signaled by the Luda and Jamie Foxx-assisted hit "Georgia" (reprised here), Field Mob has a considerable amount of momentum (as well as a new label) behind them as they release Light Poles and Pine Trees, their third album. Everything is in place for the duo to gain far more exposure than before, and they answer the call with another set that displays their flexibility -- from the poignant and funny "Blacker the Berry" (Luda is absolutely correct that Shawn Jay and Smoke are two of the best lyricists around) to the playful and party-ready "At the Park." Pre-album single "So What," featuring a hook from Ciara, is even softer than the duo's 2002 hit "Sick of Being Lonely" and has "unavoidable summer hit" written all over it, in spite of its melancholy character (and yet more of producer Jazze Pha's gratuitous vocal stamping). A couple tracks in particular -- "Baby Bend Over," an obvious stab at striking platinum with sleazy whispering over a sparse production, as well as the Kelis-quoting "I Hate You," featuring the disruptive lead singer of DTP resident rockers Lazyeye -- prevent Light Poles from topping the duo's first two albums. (These miscues are especially frustrating since the hot "Friday Night" was, for whatever reason, left off the album.) Even with its considerable flaws, the album proves that Field Mob is one of the South's finest and most unique acts. ~ Andy Kellman, All Music Guide
Track Listing
| 1. 1,2,3 |
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| 2. My Wheels |
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| 3. So What |
Field Mob Feat... |
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| 4. Baby Bend Over |
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| 5. Smilin' |
Field Mob Feat... |
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| 6. Area Code 229 |
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| 7. Skit |
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| 8. Blacker The Berry |
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| 9. I Hate You |
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| 10. At The Park |
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| 11. Eat 'Em Up, Beat 'Em Up |
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| 12. Pistol Grip |
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| 13. Sorry Baby |
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| 14. It's Over |
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| 15. Georgia: Bonus Track |
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| Featured Review | |
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Heartless KanYe West |
| When he announced that he would be putting rap to one side for his latest album and composing the whole thing using an 80's drum machine and singing in the style of Cher via the use of auto-tune software, many onlookers thought KanYe West had lost it. However, the results of KanYe's pop experiments, that on paper looked decidedly dodgy, have already produced one hit single and, if early reviews are anything to go by, one of KanYe's best albums. On his latest single, 'Heartless', KanYe continues the theme of the album '808's and Heartbreaks' by employing the use of the 808 drum machine and singing about, if you hadn't already guessed, Heartbreak. Although, as Kanye himself stated, the use of auto-tune is often associated with being 'wack', the application of the vocoder effect on 'Heartless' adds an extra depth to West's effective but limited speak singing. This proves to be a shrewd move as rapper's attempts to hit notes out of their range can often end in horrendous results; just ask Puff Daddy. Added to this the depth of lyrics, inspired by an emotionally turbulent year that saw the death of his mother and a break up with his fiancé, have more heartfelt punch than any of the predictable Hip Hop/R&B doing the rounds at the moment. Not many artists could pull it off but it seems '808's and Heartbreaks' has seamlessly moved KanYe West from Hip Hop King into the realm of pop pioneer without breaking a sweat. ©2008 Shazam Entertainment Limited. All rights reserved. | |
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