Album Results
Album Reviews
Scott Matthews, singer/songwriter from Wolverhampton, England, released a debut album full of bluesy rock songs, ranging from radio-friendly "Passing Stranger" to the Eastern tinged, quiet folk of "Earth to Calm" in April 2006 on his own co-owned label. Matthews recorded the album himself independently, had it mastered by Ray Staff in London, released it, and shortly thereafter Island picked up on it. There is a surreal, dreamlike quality to the album, partly due to Matthews' voice (which is often double-tracked), and partly due to the music that slides in and out of the mix, with little snippets of jams, songs, and strange instruments thrown in between songs (think The Hour of Bewilderbeast, but less pop). The opening lines of "Elusive" bear a resemblance to Jeff Buckley's work on Sketches for My Sweetheart the Drunk. Matthews, however, has a lot more dirt in his voice than Buckley -- he's an earthier, calmer singer. Sometimes he even manages to evoke a Moby Grape-like sound, or the music Eddie Vedder did for the Dead Man Walking soundtrack. The acoustic rhythm tracks Matthews lays down -- think Eric Clapton Unplugged -- provide a fine backdrop to his singing. All in all, this is a well-crafted album full of good songs, and an impressive debut. ~ Philip D. Huff, All Music Guide
Track Listing
| 1. Lillte Man Tabla Jam Part 1 |
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| 2. Dram Song |
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| 3. The Fool's Fooling Himself |
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| 4. Eyes Wider Than Before |
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| 5. Blue In The Face Again |
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| 6. Sweet Scented Figure |
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| 7. Passing Stranger |
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| 8. Prayers |
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| 9. Musical Internal |
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| 10. Still Fooling |
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| 11. City Headache |
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| 12. Nylon Instrumental |
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| 13. Elusive |
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| 14. Earth To Calm |
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| 15. White Feathered Medicine |
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| 16. Lillte Man Tabla Jam Part 2 |
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| 17. Bruno Finale |
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| Featured Review | |
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Beat Control Tilly And The Wall |
| "O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future. | |
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