Album Results
Album Reviews
The Back to Mine series started as a way for DJs and electronica or electronica-leaning artists to compile some of their favorite late-night songs (the first volume, by Nick Warren, was released in February of 1999 and artists like Morcheeba, Faithless, Danny Tenaglia, Tricky, and Underworld have all followed suit). While it's true the Guillemots do incorporate a variety of different styles into their music, and that many previous bands didn't necessarily stick to downbeat or techno -- Audio Bullys, for example, had a particularly rock heavy set -- the Guillemots are the first true rock or pop band to put their name on the Back to Mine cover. Some of the choices on here make a lot of sense, like Joan as Police Woman's (with whom Guillemots toured) "The Ride," Liars' "The Other Side of Mt. Heart Attack," and even Sonic Youth's "Providence," but others, while they assuredly hold meaning for at least some of the members, hardly fit with the rest of the selections or the band's sound (Roots Manuva's "Witness (I Hope)" and Raphael Saadiq's "Still Ray" being the most prominent examples). All of which means that this specific installment of Back to Mine works better for someone who wants to listen to what Guillemots like, not necessarily music that sounds like Guillemots or even a particularly cohesive mix. ~ Marisa Brown, All Music Guide
Track Listing
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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