Album Results
Album Reviews
On her third album, simply titled Faith, Faith Hill put all her chips on a big pop crossover move, picking songs by Diane Warren and Sheryl Crow to sing and giving the entire album a sleek, glossy finish that makes it as comfortable on adult comptemporary radio as it would be on country radio. This may not be country in its sound but it is in its sentiment, as it celebrates love -- there are no heartbreak songs here, just love songs -- hope and optimism, where "The Secret of Life" is a good cup of coffee, mom's apple pie and a beautiful woman: all things that make it comfortable, mature pop. Unlike Shania Twain, Hill never goes for big, outsized gestures -- there's no glamour or glitz here, nor is there much humor, as there is on The Woman in Me and Come on Over -- she goes for cozy and comforting, and while that can make Faith a little bit too warm and fuzzy (and despite its sheen, it does feel warm) for some tastes, it nevertheless is an expert middle of the road pop album, one that goes down easy, one that blends into the background yet is melodic and endearing enough to be listened to closely, and that's due to Hill's strong voice and open personality. This is before she became a diva -- it's what gave her that status and while that is a subtle difference, it is nonetheless an important one. ~ Stephen Thomas Erlewine, All Music Guide
Track Listing
| 1. This Kiss |
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| 2. You Give Me Love |
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| 3. Let Me Let Go |
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| 4. Love Ain't Like That |
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| 5. Better Days |
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| 6. My Wild Frontier |
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| 7. The Secret Of Life |
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| 8. Just To Hear You Say That You Love Me: (with Tim M... |
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| 9. Me |
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| 10. I Love You |
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| 11. The Hard Way |
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| 12. Somebody Stand By Me |
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| Featured Review | |
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Greatest Day Take That |
| It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work | |
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