Album Results

The Cool Sound Of The 70s 

Various

The Cool Sound Of The 70s

Genre: ROCK/POP
Label: Telstar Records Limited
Release date: 2000

Track Listing

Disc 1 of 2
1.  You're The First, My Last, My Everything Barry White
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2.  Signed, Sealed, Delivered I'm Yours Stevie Wonder
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3.  Bridge Over Troubled Water Simon & Garfunkel
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4.  Together We Are Beautiful Fern Kinney
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5.  The Tears Of A Clown The Miracles
Smokey Robinson
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6.  Rivers Of Babylon Boney M.
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7.  Help Me Make It Through The Night John Holt
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8.  Yes Sir, I Can Boogie Baccara
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9.  Didn't I: (Blow Your Mind This Time) The Delfonics
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10.  You To Me Are Everything The Real Thing
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11.  You Make Me Feel Like Dancing Leo Sayer
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12.  Kung Fu Fighting Carl Douglas
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13.  Ain't No Stoppin' Us Now McFadden & Whitehead
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14.  Can't Give You Anything But My Love The Stylistics
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15.  Just My Imagination: (Running Away With Me) The Temptations
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16.  Raindrops Keep Falling On My Head Sacha Distel
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17.  My Ding-A-Ling Chuck Berry
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18.  Love Grows: (Where My Rosemary Goes) Edison Lighthouse
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19.  Without You Nilsson
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Disc 2 of 2
1.  Stuck In The Middle With You Stealers Wheel
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2.  I Can See Clearly Now Johnny Nash
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3.  Let's Stay Together Al Green
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4.  Puppy Love Donny Osmond
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5.  Don't It Make My Brown Eyes Blue Crystal Gayle
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6.  I'd Like To Teach The World To Sing The New Seekers
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7.  If I Said You Had A Beautiful Body Would You Hold... The Bellamy Brothers
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8.  Stand By Your Man Tammy Wynette
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9.  Rhinestone Cowboy Glen Campbell
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10.  Tie A Yellow Ribbon 'Round The Old Oak Tree Dawn
Tony Orlando
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11.  Save Your Kisses For Me Brotherhood Of Man
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12.  I Hear You Knocking Dave Edmunds
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13.  Sugar Sugar Sakkarin
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14.  Make It With You Bread
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15.  Love Me For A Reason The Osmonds
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16.  Matchstalk Men And Matchstalk Cats And Dogs Brian & Michael
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17.  Rubber Bullets 10cc
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18.  I'm In The Mood For Dancing The Nolans
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19.  When Will I See You Again The Three Degrees
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Featured Review
Human Human
The Killers
Before Stuart Price and The Killers originally hooked up in 2004 the worlds of dance and indie were often mutually exclusive with dance remixes of indie tracks, despite a few notable exceptions, often no more than mismanaged afterthoughts. However, when the Thin White Duke remix of 'Mr Brightside' burst on the scene it captured the imagination of both the indie kids and the clubbing masses and became one of the most talked about tracks on both the pages of NME and Mixmag. Fast forward four years and post Klaxons indie dance has almost become a cliché with every new band and its dog incorporating synthesizers and drum machines. Still, this hasn't deterred The Killers reuniting with Mr Price to produce their third album, 'Day & Age'. Production wise The Killers latest offering, 'Human', takes plenty of cues from synth pop and nu-wave as well as Stuart Price's earlier work as Zoot Woman. All in all the track works pretty efficiently with a big electronic sounding drum kit pushing the song along to its dance infused instrumental outro. However on closer inspection of Brandon Flower's nonsensical lyrics seems to let all the shiny production down. Take the grammatically incredulous chorus line of 'Are we human or are we dancer' which simply begs the question, "What does he mean?!" Like The Killer's live performance at the European Music Awards that was all at once motionless and spectacular thanks to the use of Fifty foot LCD screens, 'Human' may well be a case of style over substance.
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