Album Results

Top Of The Pops 2000 Volume Three 

Various

Top Of The Pops 2000 Volume Three

Genre: ROCK/POP
Label: Universal Music TV
Release date: 2000

Track Listing

Disc 1 of 2
1.  It's My Life: (DAVE CASCOMBE MIX) Bon Jovi
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2.  Rock DJ Robbie Williams
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3.  Life Is A Rollercoaster Ronan Keating
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4.  Natural S Club 7
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5.  Spinning Around Kylie Minogue
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6.  Absolutely Everybody Vanessa Amorosi
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7.  Day And Night: (STARGATE REMIX) Billie Piper
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8.  When I Said Goodbye Steps
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9.  The One Backstreet Boys
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10.  Body Groove Architechs
Nana
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11.  Out Of Your Mind Dane Bowers
Truesteppers
Victoria Beckham
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12.  Ain't No Stoppin' Us DJ Luck
MC Neat
JJ
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13.  Tell Me It's Real K-Ci
JoJo
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14.  Sincere MJ Cole
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15.  7 Days Craig David
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16.  Unleash The Dragon Sisqó
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17.  Not Even Gonna Trip The Honeyz
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Disc 2 of 2
1.  Body II Body Samantha Mumba
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2.  Oops!... I Did It Again Britney Spears
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3.  I Believe: (Love To Infinity Remix Edit) Stephen Gately
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4.  Girls Just Wanna Have Fun Lolly
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5.  School's Out Daphne & Celeste
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6.  I'll Never Stop *NSYNC
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7.  Sky Sonique
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8.  Sunset: (BIRD OF PREY) Fatboy Slim
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9.  I Turn To You Melanie C
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10.  Silence: Airscape Remix Edit Delerium Feat...
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11.  Who Told You Roni Size & Rep...
Roni Size
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12.  Dooms Night: Timo Mass Radio Edit Azzido Da Bass
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13.  Groovejet: (IF THIS AIN'T LOVE) Spiller
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14.  Kernkraft 400: (DJ GIUS RADIO EDIT) Zombie Nation
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15.  Time To Burn Storm
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16.  Bullet In The Gun 2000 Planet Perfecto
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17.  With My Own Eyes Sash!
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18.  Freestyler Bomfunk MC's
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19.  October Swimmer JJ72
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20.  Muscle Musium Muse
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21.  Porcelain Moby
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Featured Review
Greatest Day Greatest Day
Take That
It's almost 10 years to the day that Robbie Williams released 'Angels' onto an unsuspecting British public and all at once established himself as one of the 90's most successful solo artists. Leaving his former Take That band mates in the dust, they embarked on unsuccessful DJ careers, below average indie projects and misguided acting jaunts. How fortunes have changed. Whilst Robbie resides alone in L.A. addicted to Red Bull, Marlboro Reds and UFO websites, Take That have re-emerged as one of Europe's most successful pop acts; on the verge of releasing an new album and undertaking a sell-out stadium tour. On latest release, 'Greatest Day', Garry Barlow takes a rest from writing hits for the likes of Peter Kaye, Lee Mead and John Barrowman and hands over some of the creative responsibility to Mark, Jason and Howard. The result is a mid-tempo, piano and guitar driven effort that could easily be filed, along with Coldplay and Snow Patrol, in the inoffensive pop rock section. In many ways the song is merely a preamble to the upcoming tour and just in time for Christmas album, 'Circus', to be released on 1st December. 'Greatest Day' proves that whilst nostalgia is still a major factor of Take That's appeal they, unlike many other reformed groups, are still capable of writing songs that stand up to their earlier work
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