Album Results

Backdrop 

The Fall

Backdrop

Genre: ROCK/POP
Label: Cog Sinister
Release date: 2000

Album Reviews

Backdrop is a collection of rareties by the Fall. It first appeared in unauthorized bootleg form in 1994 on the Pseudo Indies label and, to fans' demands, was later given a proper release on Cog Sinister. This CD offers a hodgepodge of B-sides, compilation tracks, alternate versions, and tracks from free EPs originally included with magazines like Melody Maker. "Dresden Dolls" is a sloppy rehearsal recording from 1977 (the band was 12 months old). "Backdrop" and "Plaster on the Hands" were recorded in 1983. All other songs come from the Fall's 1985-1989 period, the time line ending with a rendition of Gene Vincent's "Race With the Devil" played as a special request at John Peel's private 50th birthday party. The sound quality varies enormously from one track to the other and, in many cases, master tapes were unavailable (surface noise and crackles are audible at times). But the die-hard fan won't mind, and the sound is good on key tracks like the irresistible "Marquis Cha-Cha," "Bremen Nacht Run Out" (a killer version), and "U.S. 80's-90's" (a very good live recording). An uncredited track (number 16) contains an interview excerpt with Mark E. Smith. Of course, the Fall newcomer has many more important albums to acquire, but the serious fan will find many fine surprises on Backdrop. ~ François Couture, All Music Guide

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Track Listing


1.  Marquis Cha-Cha more
2.  Bremen Nacht Run Out more
3.  Mark'll Sink Us more
4.  Lucifer Over Lancashire more
5.  Hey! Luciani more
6.  Wings more
7.  L.A. more
8.  U.S. 80's-90's more
9.  Guest Informant more
10.  The Man Whose Head Expanded more
11.  Backdrop more
12.  Dresden Dolls more
13.  Strychnine more
14.  Race With The Devil more
15.  Plaster On The Hands more
16.  Bonus Track more
Featured Review
Don't Believe In Love Don't Believe In Love
Dido
After almost 5 years, Dido is back...and was it worth the wait? The single sounds like it could have come off the last album, with a great chorus and sumptuous strings carrying the melody and packing an emotional punch in the process. Apparently this and most of "Safe Trip Home" was written about her recent breakup. Well, it worked for Winehouse with 'Back to Black', so why not? However, lyrics aside, it's actually a good little pop song and it's surprising how little radio play it has had, resulting in a relatively low chart placing. Maybe people are waiting for the album (now out), which she has worked on with the likes of Brian Eno & Jon Brion (Keane), as her sales are remarkably high due to her loyal fan case. The first two shifted over 24 millions copies worldwide between them. After a brief listen, it seems that Dido has released the strongest song first, as she did with 'White Flag' from her last effort. However, this is not of that magnitude unfortunately and the album feels a bit low key and 'samey'. But, as with all great albums, only time will tell and this lead single more than merits the wait: the haunting vocals and polished production will at least push the extremely talented Dido back into the public's consciousness, where she belongs!
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