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About Harry "Choo Choo" Romero
Along with cohorts Erick Morillo and Jose Nunez, Harry "Choo Choo" Romero made Subliminal Records one of the New York house community's finest. He produced occasional tracks for the label, most of them getting considerable attention. Even so, the success of his productions never matched that of his DJing. Few New York house DJs rivaled Romero in terms of reputation, not just in New York but also in London, where Subliminal garnered a huge following. Romero's first major hit record came in 1998, "Just Can't Get Enough," released first in the U.S. on Subliminal and then later by AM:PM in the U.K. The international success of "Just Can't Get Enough" enabled Romero to extend his popularity beyond the massive yet insular New York house community. By the end of the '90s, Romero traveled the world, spinning at clubs as far away from New York as California and Europe. The acclaim showered on Romero's approach to DJing set the stage for his first high-profile DJ mix album, Subliminal Sessions, Vol. 2. Morillo's first volume in the series took a rather straightforward approach, relying heavily on the Subliminal catalog; in contrast, Romero's epic double-disc mix expanded on Morillo's volume not only in terms of scope but also chance. Where Morillo is the commercial side of Subliminal, Romero is the adventurous side of the label, not as successful but, in the end, more daring. ~ Jason Birchmeier, All Music Guide
Harry "Choo Choo" Romero's Discography (1)
Compilations Featuring Harry "Choo Choo" Romero (20)
| World Series Live: Paris: hed kandi | Hed Kandi Records |
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| Winter Sessions Vol. III: mixed by JORGE... | Subliminal R... |
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| My House Is Your House |
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| Trance Nation Electric | Ministry Of Sound |
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| Subliminal Promo | Subliminal R... |
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Love Lockdown KanYe West |
| KanYe West keeps on challenging the limits of hip-hop: if "Graduation" was his pop album, the first single from "808s and Heartaches" sees the star going all soulful and expanding the most spiritual side of former highlights such as "Jesus Walk" or "Can't Tell me Nothing". Arguably the first interactive recording ever made, thanks to the KanYe's official blog; when the original mix was posted, many fans reacted sending an avalanche of negative feedback; maybe it was the use of popular pitch-altering software autotune, abused in recent times by everyone from Cher to T-Pain, that led the audience to revolt and ended up with the notorious perfectionist re-recording the vocals and adding some taiko drums to highlight its minimal beat, imitating a heart pounding; posting it again afterwards for general approval. Not happy with that, he later went the Radiohead way, making six different stems (vocals, drums, piano, etc.) available for fans to remix the song themselves. "Love Lockdown" can be seen as West upgrading himself from rapper to proper soul singer and is one of his more inspired and powerful moments to date. A mind-blowing closing performance at this year's VMAs ignited a chart frenzy all over the world and it looks set to last for a few months. | |
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