Artist Search Results
About Memphis
Torquil Campbell and Chris Dumont create the mesmerizing experimental sounds of Memphis. Dumont, a North Carolina native, met Campbell while working in New York City in the early '90s. Both had formed a band with fellow Canucks Chris Seligman, James Shaw, and Adam Marvy. The stint was short-lived, for Seligman and Campbell went on to form Stars while Shaw connected with Emily Haines for the synth pop outfit Metric. In summer 2002, while vacationing in Campbell's hometown of Vancouver, Dumont and his longtime friend finally put their creative ideas to paper; thus, the intricate jazz-influenced tinkerings of Memphis were born. The A Good Day Sailing EP marked the Canadian-American duo's debut that same year. Two years later, the lush pop illustrations of I Dreamed We Fell Apart arrived on the Toronto-based imprint Paper Bag. For 2006's A Little Place in the Wilderness, Memphis showcased a more relaxed, acoustic guitar-based sound; it marked their first release for Good Fences and featured additional instrumentation from Shaw (bass/trumpet), Erik Hove (saxophone), and Jon Hyde (pedal steel guitar). ~ MacKenzie Wilson, All Music Guide
Compilations Featuring Memphis (4)
 |
The Best Of The Blues: 20 Authentic Blue... | K-Tel Entert... |
 more
|
 |
BPR 01-13 |
more
|
|
 |
BPR 02-07 |
more
|
|
 |
Music From The Soul |
more
|
|
Shazam Recommends...
| Featured Review | |
|
Dear Science TV On The Radio |
| On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. . | |
 more
|
|
