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About Busted
North London-based trio Busted first appeared in early 2002 with an audacious blend of BBMak and Boyzone called "What I Go to School For." The single's sugar high of saccharine pop-punk progressions, processed harmonies, and cheeky curse words ("I fought my way to the front of class/To get the best view of her ass") was a big hit with the kids, and saddled the Busted boys with immediate sensation status. And why not? Mattie Jay, James Bourne, and Charlie Simpson were freshly scrubbed yet fashionably skuzzy, and came complete with PG-rated potty mouths perfect for an audience raised on boy pop but newly taken with blink-182 and Good Charlotte. Busted's eponymous debut spawned three more singles -- including the number one "You Said No (Crash & Burn)" -- and the trio embarked on a successful U.K. tour. By July 2003, the inevitable fawning biography had appeared, and the fellows began to gear up for their bang-up follow-up. Present for Everyone appeared in December 2003. Its guitars were whinier and its vocals a bit snottier, reducing the holdover boy band elements in favor of Simple Plan-style mall punk. In January 2004, Busted capped their whirlwind U.K. pop takeover with Brit Award nominations for Best British Group, Best British Breakthrough Artist, and Best Pop Act. When Charlie Simpson decided to part ways with Busted to pursue other interests, the guys called it quits in January 2005. Simpson went on to play with the rock act Fightstar; Bourne formed the Green Day-esque Son of Dork; Jay concentrated on solo work. ~ Johnny Loftus, All Music Guide
Busted's Discography (15)
Compilations Featuring Busted (20)
| Club Rotation 27 | Warner Strat... |
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| I Luv Smash! Hits 2004 | Virgin Recor... |
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| Thunderbirds | Universal Cl... |
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| The Brit Awards Album 2004 | BMG UK & Ire... |
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| Top Of The Pops Spring 2003 | BBC |
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Shazam Recommends...
Shazamers Who iD'd Busted
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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