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The Libertines

The Libertines

About The Libertines

The Libertines joined the pop fray of 2002, competing with the likes of the Strokes, Hives, Vines, and Doves with their debut single, "What a Waster." The Bernard Butler-produced track entered the U.K.'s Top 40 in June, leaving NME to crown the Libertines as the best new band in Britain. The double-A-side song "I Get Along" earned Single of the Week on BBC Radio 1. The London-based band, who inked a deal with Rough Trade in December 2001, features Carl Barat (guitar/vocals), Pete Doherty (guitar/vocals), John Hassall (bass), and Gary Powell (drums). Up the Bracket was released stateside in March 2003 while the single Time for Heroes gained momentum on the U.K. charts. The group's Coachella Festival appearance later that spring, meanwhile, introduced their kinetic live act to the States. In June 2003, the band's playfully volatile chemistry began to go awry when Doherty didn't show up for a tour of Europe. The rest of the Libertines went ahead with the dates while Doherty formed another group that he initially also called the Libertines before changing the name to Babyshambles. The following month, while the remaining Libertines were on tour in Japan, Doherty was arrested for breaking into Barat's apartment and stealing items including a harmonica, laptop computer, and antique guitar. In August -- around the same time that the band's single Don't Look Back Into the Sun became one of their biggest hits -- Doherty pled guilty, and also confessed to addictions to heroin and crack cocaine; in September he was sentenced to six months in jail. However, his sentence was reduced to two months on appeal, and with time off for good behavior, he was released from jail in early October and the complete Libertines lineup performed at the Rough Trade 25th anniversary show later that month. In November, Doherty played two shows in his own apartment that featured a mix of Libertines and Babyshambles songs. The band closed out 2004 with a string of local dates, and began 2004 by writing and recording new songs in France. Their first U.K. dates of that year, a three-night residency at London's Brixton Academy, unfolded in a typically chaotic fashion when Doherty smashed his guitar and left the stage in the middle of the band's final performance. As the band continued to record, Doherty and Barat also appeared on "For Lovers," a single by their friend Wolfman; it became a surprise hit and the biggest Libertines-related release yet. Meanwhile, in April 2004, Babyshambles released their self-titled, limited-edition debut single. Later that month, the band were joined on-stage by Peter Perrett of the legendary new wave band the Only Ones, and performed "Don't Look Back Into the Sun" and the Only Ones' classic "Another Girl, Another Planet" with them. But by May the Libertines' future looked grim again: Doherty was in and out of rehab clinics, such as London's Priory, in rapid succession. His ongoing troubles led the Libertines to cancel their performance at the Love Music Hate Racism concert that June; the event was subsequently canceled altogether. The band's appearances that month at Glastonbury, the Isle of Wight, and Morrissey's Meltdown festivals were also canceled and Doherty went to the rehab program at the Thamkrabok Monastery in Thailand; after a few days there, he left for Bangkok. Just after returning to London in mid-June, Doherty was arrested by London police, who detained him for a traffic offense and found a switchblade in his possession. The rest of the band carried on with their obligations for July and onward, saying that Doherty was welcome to rejoin the band once he had his addictions under control. The Libertines recruited guitarist/vocalist Anthony Rossomando for their upcoming gigs, which included a performance at the T in the Park Festival. Doherty, meanwhile, set up a string of solo shows and dates with Wolfman, but failed to appear at several of the performances in early August. "Can't Stand Me Now," the debut single from the Libertines' self-titled second album, entered the U.K. charts at number two; in mid-August, Doherty appeared in court and pleaded guilty to the charge of possession of an offensive weapon. The Libertines arrived late that month, and the band -- minus Doherty -- toured the U.K. and the U.S. that fall in support of it. Doherty, meanwhile, put his efforts into Babyshambles, touring the U.K. with the band throughout September and October. ~ Heather Phares and MacKenzie Wilson, All Music Guide

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The Libertines's Discography  (13)

Time For Heroes Best Of Time For Heroes: Best Of more more
Don't Look Back Into The Sun/Death On The Stairs  Don't Look Back Into The Sun/Death On Th... Rough Trade... more more
Time For Heroes  Time For Heroes Rough Trade... more more
Up The Bracket  Up The Bracket Rough Trade... more more
Up The Bracket  Up The Bracket Rough Trade... more more

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Compilations Featuring The Libertines  (19)

XFM: Debut Sessions  XFM: Debut Sessions XFM Limited more more
The Winners  The Winners more more
Virgin Radio - The Album  Virgin Radio - The Album more more
Q Magazine Best Of 2004  Q Magazine Best Of 2004 more more
HMV Playlist New Music New Artists The definitive collection of today's new music HMV Playlist New Music New Artists: The... HMV more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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