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Motion City Soundtrack

Motion City Soundtrack

About Motion City Soundtrack

A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). Following their high-school graduation, Minneapolis natives Pierre and Cain -- both of whom were inspired by Sunny Day Real Estate, Jawbox, the Flaming Lips, and Superchunk -- formed the band in 1999. The pair assembled a temporary lineup and issued a self-released 7" that same year. Later, while touring through Pennsylvania in support of their release, Motion City Soundtrack met Thaxton and Taylor of the Virginia-based band Submerge. The two musicians decided to leave their hometown of Richmond, VA, to join Motion City Soundtrack full-time, and the expanded band soon entered the studio with producer/engineer Ed Rose (the Get Up Kids, Ultimate Facebook). Three weeks before recording commenced, they were also joined by keyboardist Jesse Johnson (whose personal record label, Ordinary Records, had issued some of Jimmy Eat World's earliest material in 1995) to relieve singer/guitarist Pierre of his synthesizer duties.



With a new lineup firmly in place, the band's punk-glazed debut, I Am the Movie, was released in the summer of 2003. While playing venues and basements in support of the album, Motion City Soundtrack was picked up by Epitaph Records; later, they joined blink-182 on a tour through Europe and Japan. Blink's bassist, Mark Hoppus, took a liking to the band and agreed to produce their next album; the resulting Commit This to Memory was released two years later and featured an increasingly pop-heavy sound. A deluxe version of the album (complete with bonus DVD) appeared in 2006, and the band spent the summer on Warped Tour before heading to Europe with OK Go that fall. Entering the studio for the third time, Motion City Soundtrack began to work with producers Adam Schlesinger (of Fountains of Wayne), Eli Janney (of Girls Against Boys), and Ric Ocasek (of the Cars). The completed product, Even If It Kills Me, was released in September 2007. ~ MacKenzie Wilson, All Music Guide

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Motion City Soundtrack's Discography  (4)

Even If It Kills Me  Even If It Kills Me Epitaph more more
Commit This To Memory  Commit This To Memory Epitaph Europe more more
My Favourite Accident  My Favourite Accident Epitaph Europe more more
The Future Freaks Me Out  The Future Freaks Me Out Epitaph Europe more more

Compilations featuring Motion City Soundtrack  (5)

Vans Warped Tour '05 2005 TOUR COMPILATION Vans Warped Tour '05: 2005 TOUR COMPILATION Sideonedummy... more more
Punk -O- Rama 8  Punk -O- Rama 8 Epitaph Europe more more
Warped Tour 2003 TOUR COMPILATION Warped Tour: 2003 TOUR COMPILATION Side One Dum... more more
Warped Tour '08  Warped Tour '08 Sideonedummy... more more
John Tucker Must Die  John Tucker Must Die more more

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Featured Review
Don't Believe In Love Don't Believe In Love
Dido
After almost 5 years, Dido is back...and was it worth the wait? The single sounds like it could have come off the last album, with a great chorus and sumptuous strings carrying the melody and packing an emotional punch in the process. Apparently this and most of "Safe Trip Home" was written about her recent breakup. Well, it worked for Winehouse with 'Back to Black', so why not? However, lyrics aside, it's actually a good little pop song and it's surprising how little radio play it has had, resulting in a relatively low chart placing. Maybe people are waiting for the album (now out), which she has worked on with the likes of Brian Eno & Jon Brion (Keane), as her sales are remarkably high due to her loyal fan case. The first two shifted over 24 millions copies worldwide between them. After a brief listen, it seems that Dido has released the strongest song first, as she did with 'White Flag' from her last effort. However, this is not of that magnitude unfortunately and the album feels a bit low key and 'samey'. But, as with all great albums, only time will tell and this lead single more than merits the wait: the haunting vocals and polished production will at least push the extremely talented Dido back into the public's consciousness, where she belongs!
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