Artist Results
About Ultrabeat
A Liverpool-based dance music outfit that scored a record deal in 2003, released a number two charting single that year, and then saw their popularity fade and return by 2007, Ultrabeat was formed by school friends Mike di Scala, Chris Henry, and Ian Redman. They scored their record deal with a demo of the track "Pretty Green Eyes" with label All Around the World, which released the track, and it shot to (nearly) the top of the charts. Their next two singles, "Feelin' Fine" and "Better Than Life," hit the Top 25, but single number four failed to make the same waves, and Ultrabeat fell out of favor, and had to shelve their planned debut album. Upon releasing the single "Elysium (I Go Crazy)," Ultrabeat saw themselves back in the good graces of the pop-buying public, and with vocalist Rebecca Rudd, the group found new life in the charts and was able to get enough momentum to release their debut album in September 2007. The album, Ultrabeat: The Album, broke the Top Ten on the U.K. charts. ~ Chris True, All Music Guide
Ultrabeat's Discography (4)
Compilations featuring Ultrabeat (20)
| Jumpstylemania: The Megamix 2008 | Club Tools |
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| Floorfillers 4: 42 MASSIVE HITS FROM THE... | AATW |
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| Bonkers 14: HARDCORE STRIKES BACK | Resist Music Ltd |
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| Clubland X-Treme 2 | Universal Mu... |
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| Clubland X-Treme 2 | Universal Mu... |
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Shazam recommends...
Shazamers who iD'd Ultrabeat
| Featured Review | |
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Right Now Akon |
| The guy whose career has been built upon memories of prison redemption, naming his first albums "Trouble" and "Konvicted," returns on a "more law-abiding" and positive note, choosing "Freedom" as his third effort's title. In only a few years Akon has grown to reach World Music Award status as the best selling male in the planet, and even when the accuracy of those honours may be debatable, one cannot stop wondering the reason why he is so popular: maybe his irritatingly high-pitched vocals, sounding like they've been treated with a vocoder, without real need for one; or maybe is the vague echoes of his childhood in Senegal mixed with an unremarkable R&B and hip-hop style; or rather his ability to deliver devilish gimmicks and painfully repetitive choruses? Whatever it is, in "Right Now" he fully delivers it once more: simple, effective and guaranteed to sell by the buckets. | |
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