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About David Ryan Harris
Singer/songwriter David Ryan Harris has been challenging mainstream notions of black performers since fronting the Atlanta-based rock group Follow for Now in the late '80s. Once tabbed as the next Living Colour, the band actually drew from an even wider stylistic palette -- everything from Stevie Wonder-style soul to Bad Brains thrash to bluebeat bounce -- but didn't enjoy similar success and broke up after releasing one eponymous album on Chrysalis in 1991. Harris then played a huge role in the success of another black artist bucking pigeonholes: ex-Arrested Development vocalist Dionne Farris, whose 1995 debut, Wild Seed -- Wild Flower, featured Harris' production and guitar work. Harris also served as musical director of Farris' live band before starting his own solo career in 1997, signing to producer Brendan O'Brien's 57 imprint (O'Brien was an old friend who'd produced some Follow for Now demos in his pre-Pearl Jam and Rage Against the Machine days) at Columbia Records and releasing his first, self-titled solo outing. The album, which featured contributions from O'Brien and Harris on a variety of instruments, was as hard to classify as Harris' previous work and proved as difficult a sell, despite much critical praise. But rather than make a solo follow-up, Harris instead joined forces with former Black Crowes bassist Johnny Colt and drummer Kenny Cresswell to form the Brand New Immortals, a power trio that generated substantial buzz with a six-song EP, once again produced by O'Brien, before signing with Elektra. The group released its full-length debut, Tragic Show, in 2001, but once again, commercial success proved elusive. The band believed Elektra hadn't properly promoted the album and in early 2002, Harris announced Brand New Immortals had broken up and that he was returning to solo work. ~ Dan LeRoy, All Music Guide
Compilations Featuring David Ryan Harris (1)
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Biker Boyz: MUSIC FROM THE MOTION PICTURE | SKG Music LLC |
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Dear Science TV On The Radio |
| On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. . | |
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