Artist Search Results

Pretenders

Pretenders

About Pretenders

The word obscure doesn't aptly describe the Pretenders' brief association with the recording industry. Their recordings were virtually unknown until the reissue of various CDs of Carnival Records recordings. The only Carnival acts to receive any exposure nationally were the Manhattans and Lee Williams & the Cymbals; Carnival's many other releases by a laundry list of artists never saw much action. Carnival was a tiny company that owner Joe Evans ran out of his house; his wife and a part-time employee were his only staff. While running Carnival, Evans also played sax and toured with Motown's road band under the direction of Choker Campbell; ex-Temptation guitarist Cornelius Grant says Evans would promote Carnival recordings while touring and backing the Motown acts. The Pretenders also suffered because Joe Evans had practically lost interest in the record business. He earned a G.E.D. and started taking college courses at Rutgers University. This action by Evans was directly related to his money makers, the Manhattans, jumping ship; Evans felt betrayed since he had groomed and polished the group from nothing. However, he was persuaded to make another attempt at making records when he heard a tape of the Pretenders that floored him. They had a different name that Evans didn't like so he changed it. The original group was Harry Simpkins, Eugene Cohen, Neil Page, and Valerie Scott. Page and Scott alternated singing lead. Changes came quick. Though Scott appeared on their first recording, a remake of the Manhattans' "I Wanna Be," her husband didn't want her to tour so she quit. Enter Patricia Tandy who fit right in and had a stronger voice. Their recordings were vocal masterpieces, with exciting harmonies and emotional leads. Three good examples of this are, "For the Rest of My Days," "Hearts Were Made to Love," and an exciting remake of the Manhattans' "I'm the One Love Forgot." They appeared with groups like the Chi-Lites, Kool & the Gang, the Persuaders, the Intruders, Main Ingredient, and the Drifters, mostly in the Washington, D.C., and Philadelphia, PA, areas. Although they never had a record to chart on Billboard, the Pretenders were a versatile and talented group. Member Eugene Cohen went on to write and produce, some of his work appears on the Philadelphia International label. ~ Andrew Hamilton, All Music Guide

More

Pretenders's Discography  (9)

Get Close  Get Close more more
Learning To Crawl  Learning To Crawl more more
Loose Screw  Loose Screw Eagle Records more more
Greatest Hits  Greatest Hits Warner Music... more more
Viva El Amor  Viva El Amor Warner Music... more more

Show all

Compilations Featuring Pretenders  (20)

The Burt Bacharach Collection the look of love;limited edition The Burt Bacharach Collection: the look... Warner Strat... more more
The Quiet Storm THE BEST IN ELECTRIC & ACOUSTIC ROCK BALLADS The Quiet Storm: THE BEST IN ELECTRIC &... Universal Mu... more more
Reload  Reload Universal Mu... more more
School Disco.Com The Best Days of Your Life;80 HUGE PARTY ANTHEMS! School Disco.Com: The Best Days of Your... Sony Music E... more more
The Living Daylights ORIGINAL MOTION PICTURE SOUNDTRACK The Living Daylights: ORIGINAL MOTION PI... EMI Music more more

Show all

Shazam Recommends...

Shazamers Who iD'd Pretenders

raffell123 more more
jiveandy more more
whatyouwant more more
jeffjeff more more
ciaphas more more
Featured Review
Dear Science
TV On The Radio
On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. .
more more

Loading

Shazam for Partners and Carriers

If you would like to know more and work with us, please get in touch!