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About Hues Corporation
A Los Angeles vocal trio, the Hues Corporation enjoyed two big hits in the mid-'70s, notably "Rock the Boat" in 1974 for RCA. While it was lightweight, mainly pop work, it did take The Hues Corporation to number two on the R&B charts and get them their lone pop chart topper. The next single, "Rockin' Soul," peaked at number six on the R&B charts and number 18 on the pop charts. They had their final R&B hit the next year with "Love Corporation," which reached number 15, but it was evident that the audience was losing interest in their material. "I Caught Your Act" was the last release in 1977. H. Ann Kelley, Flemming Williams, and Bernard "St. Clair Lee" Henderson were the original lineup. Tom Brown replaced Williams in the wake of "Rock the Boat's" success. He was then replaced by Karl Russell in 1975. ~ Ron Wynn, All Music Guide
Hues Corporation's Discography (2)
| Rock The Boat | Armoury Records |
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| The Masters | Eagle Records |
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Compilations Featuring Hues Corporation (14)
| Soul Survivor | Jazz FM Records |
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| Soul Survivor: TONY BLACKBURN | Jazz FM Records |
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| Classic Gold: GOOD TIMES, GREAT MUSIC | BMG Entertai... |
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| Disco Inferno | BMG Entertai... |
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| The Cool Monty | Castle Selec... |
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Shazamers Who iD'd Hues Corporation
| Featured Review | |
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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