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About John Tejada
Born the son of a Vienna composer/conservatory teacher and an opera-singer mother, John Tejada joined Cosmic Baby and BT as classically trained techno changelings. Unlike those producers however, Tejada's recordings for Plug Research and A13 emphasize the rougher, more melancholy aspects of techno inspired by Detroit icons like Juan Atkins and Derrick May. Raised on the West Coast, Tejada played piano and drums as a child, then began listening to hip-hop and electro, beginning his DJ career by playing out in those styles. After hearing the Detroit techno blueprints courtesy of recordings by Atkins and May, Tejada began producing; during 1996 alone, he recorded two singles for A13 Records (as Lucid Dream) and an EP for Electric Ladyland (as Autodidact). Early the following year, his debut Lucid Dream album Pure appeared, followed by a single for Plug Research as Mr. Hazeltine. After the 1997 Plug Research & Development compilation earned kudos around the home-listening techno community, Tejada formed his own label Palette Records, collaborated with Joe Babylon of Plug Research and Allen Avan as Frankie Carbone and recorded on his own for Organised Noise, Ferox, and 7th City. His first album Little Green Lights and Four Inch Faders appeared in 1999 on A13 Records. Backstock, a wrap-up of his Palette label recordings, was released in 2001, and his second full production LP (Daydreams in Cold Weather) followed one year later on Plug Research. ~ John Bush, All Music Guide
John Tejada's Discography (8)
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| Backstock | Palette Reco... |
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| Recréations: technasia | Technorient... |
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| The Matrix Of Us | Defocus |
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| Little Green Lights & Four Inch Faders | A13 Productions |
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Compilations Featuring John Tejada (20)
| Moments | High Note In... |
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| Green&blue: LOCO DICE & RICARDO VILLALOB... | Cocoon Recordings |
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| Two Faces: Mixed By Michel De Hey | N.E.W.S. |
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| Pokerflat Vol.4 |
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| Pokerflat Vol.4 |
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Shazam Recommends...
Shazamers Who iD'd John Tejada
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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