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Average White Band

Average White Band

About Average White Band

Their self-effacing name to the contrary, Average White Band was anything but -- one of the few white groups to cross the color line and achieve success and credibility playing funk, with their tight, fiery sound also belying their Scottish heritage, evoking American R&B hotbeds like Detroit, Memphis, and Philadelphia instead. Singer/bassist Alan Gorrie, guitarists Hamish Stuart and Onnie McIntyre, tenor saxophonist Malcolm Duncan, keyboardist/saxophonist Roger Ball, and drummer Robbie McIntosh comprised the original Average White Band lineup. Veterans of numerous Scottish soul and jazz groups, they made their debut in 1973 as the opening act at Eric Clapton's Rainbow Theatre comeback gig, soon issuing their debut LP, Show Your Hand, to little notice. After adopting the abbreviated moniker AWB, a year later the band issued their self-titled sophomore effort, topping the American pop charts with the Arif Mardin-produced instrumental "Pick Up the Pieces." The record's mammoth success was nevertheless tempered by the September 23, 1974 death of McIntosh, who died at a Hollywood party after overdosing on heroin. Ex-Bloodstone drummer Steve Ferrone replaced McIntosh for AWB's third album, 1975's Cut the Cake, which scored a Top Ten hit with its title track as well as two other chart entries, "If I Ever Lose This Heaven" and "School Boy Crush." (Put It Where You Want It, issued later that same year, was simply a retitled and repackaged Show Your Hand.) With 1976's Soul Searching, the group reclaimed the full Average White Band name, scoring their final Top 40 hit with "Queen of My Soul." Following the live Person to Person, they issued Benny & Us, a collaboration with soul legend Ben E. King. However, after subsequent outings, including 1978's Warmer Communications, 1979's Feel No Fret, and 1980's Shine, failed to recapture the energy of AWB's peak, the group dissolved in 1982, with Ferrone later joining Duran Duran and Stuart recording with Paul McCartney. Gorrie, Ball, and McIntyre reformed Average White Band in 1989, tapping vocalist Alex Ligertwood for their comeback effort Aftershock. Oft-sampled by hip-hop producers throughout the 1990s, the group continued touring prior to releasing Soul Tattoo in 1996. The live album, Face to Face, followed three years later. ~ Jason Ankeny, All Music Guide

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Average White Band's Discography  (14)

The Ultimate Collection  The Ultimate Collection Sony Music E... more more
Face To Face LIVE Face To Face: LIVE Average Ente... more more
Cut The Cake  Cut The Cake Snapper Music more more
Soul Tattoo  Soul Tattoo Average Ente... more more
Let's Go Round Again The Best Of Average White Band Let's Go Round Again: The Best Of Averag... The Hit Label more more

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Compilations Featuring Average White Band  (20)

Running With Scissors (Soundtrack)  Running With Scissors (Soundtrack) more more
Blue Eyed Soul  Blue Eyed Soul Virgin Recor... more more
Cool Summer Jazz  Cool Summer Jazz Virgin Recor... more more
Scotland Rocks!  Scotland Rocks! Virgin Recor... more more
Sax And The City 2 cds of mellow moods & late night grooves Sax And The City: 2 cds of mellow moods... Warner Music... more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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