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About Ian McLagan
Ian McLagan, along with singer/guitarist Steve Marriott, bass player Ronnie Lane, and drummer Kenney Jones, was a member of the British pop/rock band the Small Faces, joining in November 1965, six months after the group's formation. Before then, he had been a member of Boz & the Boz People, among other groups. McLagan's first recorded work with the Small Faces was their third single, "Sha La La La Lee," which peaked in the U.K. Top Ten in March 1966. A teenybopper success at first, the band eventually gained greater critical standing by adopting a more psychedelic style. Over the next two years, they scored further Top Ten British hits with "Hey Girl," "All or Nothing" (which hit number one), "My Mind's Eye," "Itchycoo Park" (which introduced them to American listeners, hitting the U.S. Top 40), "Tin Soldier," and "Lazy Sunday," and among their albums, Small Faces reached the Top Ten and Ogden's Nut Gone Flake hit number one. In March 1969, Marriott quit to form Humble Pie. Three months later, McLagan, Lane, and Jones combined with singer Rod Stewart and guitarist Ron Wood, formerly of the Jeff Beck Group, to form the Faces. This group developed a reputation for its freewheeling performances, but it was overshadowed by Stewart's solo career, which took off in the fall of 1971 with his hit "Maggie May." Nevertheless, the Faces also had considerable commercial success, reaching the U.K. Top Ten with the singles "Stay with Me," "Cindy Incidentally," and "Pool Hall Richard"/"I Wish It Would Rain," and the albums A Nod Is as Good as a Wink...to a Blind Horse, Ooh La La (which hit number one), and Coast to Coast: Overture and Beginners. But in 1975, Stewart quit, while Wood joined the Rolling Stones, and the Faces broke up. Ian McLagan released his debut solo album, Troublemaker, in 1979, followed by Bump in the Night in 1980. Neither sold well, however, and he soon became a session and backup musician, notably working with Jackson Browne, Joe Cocker, Bob Dylan, Melissa Etheridge, Bonnie Raitt, the Rolling Stones, and Bruce Springsteen, among many others. In 2000, he released his third album, Best of British, credited to Ian "Mac" McLagan & the Bump Band, and published his autobiography, All the Rage. The hard rocking Rise and Shine appeared in 2004 and was followed by Extra Live two years later. ~ William Ruhlmann, All Music Guide
Ian McLagan's Discography (2)
Compilations Featuring Ian McLagan (20)
| Mustn't Grumble: the STEVE MARRIOTT memo... | Sanctuary Re... |
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| Mustn't Grumble: the STEVE MARRIOTT memo... | Sanctuary Re... |
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| Mustn't Grumble: the STEVE MARRIOTT memo... | Sanctuary Re... |
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| Mustn't Grumble: the STEVE MARRIOTT memo... | Sanctuary Re... |
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| Mustn't Grumble: the STEVE MARRIOTT memo... | Sanctuary Re... |
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Girls Sugababes |
| By roping in credible producers such as Richard X and peppering their songs with up to the minute electro touches, Sugababes have managed to create songs that appealed as much to the cynical music press as it did to teenage girls. Throw in a revolving door line up and a media fascination with the bands perceived moodiness and you have a recipe for the most successful girl band of the new millennium. However on "Girls", a cover of Ernie K-Does early R&B classic "Here Comes The Girls", The "Babes" lack any of the inventiveness that made singles such as "Freak Like Me" and "Push The Button" so enjoyable. As countless artists have proved over the years, there's nothing wrong with uncovering a hidden gem and putting your own spin on things; Soft Cell's "Tainted Love" springs to mind as a good example. However, you can't help thinking that The Sugababes' producers have hardly been "diggin' in the crates" to uncover "Here Come The Girls" since it has been used extensively by Boots over the last couple of years to sell beauty products. Throw in a few predictable Mark Ronson style horn riffs and you have a sub Atomic Kitten mess that tarnishes a lot of the bands efforts to be taken seriously. | |
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