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Jennifer Warnes

Jennifer Warnes

About Jennifer Warnes

Jennifer Warnes has succeeded in a number of nearly unrelated areas of popular music -- as a contemporary pop singer, as a country singer, as a singer of movie themes, and as an interpreter of the work of Leonard Cohen. She first came to public notice when she became a regular on the television show The Smothers Brothers Comedy Hour in 1967, under the name Jennifer Warren or simply Jennifer. In 1968, she was part of the original cast of the Los Angeles production of the musical Hair, and she signed to the Parrot Records subsidiary of London Records, which released her debut album, ...I Can Remember Everything. Her second album, See Me, Feel Me, Touch Me, Heal Me!, appeared in 1969. Neither album was a commercial success, and she moved on to the Reprise division of Warner Bros. Records, which released Jennifer, produced by John Cale, in 1972. When that album also flopped, Warnes signed on as a backup singer with Leonard Cohen. She joined Arista Records in 1976 and finally registered in the charts in 1977 with "Right Time of the Night," a Top Ten pop hit that reached number one in the Easy Listening charts and also made the Top 40 in the Country charts. It was drawn from her Arista debut album, Jennifer Warnes. The follow-up, Shot Through the Heart (1979), featured "I Know a Heartache When I See One," a Top Ten Country and Top 40 Pop and Easy Listening hit. Warnes' next album was an Arista hits compilation, Best of Jennifer Warnes (1982). In July 1982, Island Records released "Up Where We Belong," the love theme from the movie An Officer and a Gentleman, a duet between Warnes and Joe Cocker. She had sung movie themes before, but never with such success: "Up Where We Belong" hit number one and went platinum. Not surprisingly, moviemakers sought ber out, and in 1983 she had chart entries with "Nights Are Forever" (from Twilight Zone -- The Movie) and the title theme from All the Right Moves, a duet with Chris Thompson In 1986, she became the first signee to the short-lived Cypress Records label, which released her acclaimed Famous Blue Raincoat, an album of Leonard Cohen songs, at the start of 1987. In July of that year, RCA Records released "(I've Had) The Time of My Life," the love theme from the film Dirty Dancing, a duet between Warnes and Bill Medley of the Righteous Brothers. It topped the charts and went gold. Warnes spent five years crafting a follow-up to Famous Blue Raincoat, releasing The Hunter, which featured songs by various writers, herself included, in 1992. Note that Warnes' many label affiliations preclude any compilation from adequately covering her career and that, amazingly enough, neither of her biggest hits is available on a Jennifer Warnes album. In 2001, Warnes decided that she had enough feuding with labels and her fans were rewarded with her first solo album in nine years. The Well, which was released in 2001, was privately funded and Warnes retained control of the masters, ensuring that she would control the destiny of the album and its songs far into the future. ~ William Ruhlmann, All Music Guide

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Jennifer Warnes's Discography  (4)

Shot Through The Heart  Shot Through The Heart BMG Music more more
The Hunter  The Hunter Private Music more more
Famous Blue Raincoat  Famous Blue Raincoat BMG Music In... more more
The Best Of Jennifer Warnes  The Best Of Jennifer Warnes Arista Recor... more more

Compilations Featuring Jennifer Warnes  (20)

FriendsReunited.co.uk 42 Classroom Classics from the 80s FriendsReunited.co.uk: 42 Classroom Clas... Universal Mu... more more
FriendsReunited.Co.Uk 42 Classroom Classics from the 80s FriendsReunited.Co.Uk: 42 Classroom Clas... Universal Mu... more more
New Woman 2003 New Woman: 2003 Virgin Recor... more more
Always & Forever  Always & Forever Sony Music E... more more
Ultimate Dirty Dancing  Ultimate Dirty Dancing BMG Music more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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