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About Jags
The Jags are a fondly remembered one-hit wonder of the late-70s U.K. power pop explosion. The quartet was formed in 1978 by the Yorkshire-based songwriting team of Nick Watkins (vocals) and John "Twink" Adler (guitar), with Steve Prudence (bass) and Alex Baird (drums). In July of 1978, they signed to Island Records and released a promising four-track EP. Their debut LP in 1980, Evening Standards, included the memorable, though highly derivative, "Back of My Hand," which had reached the U.K. Top 40 the previous fall. The follow-up, "Woman's World" barely scraped its way on to the charts. Though Evening Standards featured a really solid set of punchy power pop songs, critics focussed instead on Watkins' Costello-like delivery, writing the band off as merely mimics. As steam ran out of the power pop craze, the band attempted to change their sound a bit. 1981's No Tie Like the Present featured a slightly new direction, but it was generally overlooked. By 1982, the Jags had disbanded for good, though "Back of My Hand" had a revival of sorts in the '90s, appearing on several compilations. ~ Chris Woodstra, All Music Guide
Compilations Featuring Jags (2)
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Seventies | Spectrum Music |
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Atomic: Sounds Of The Suburbs | EMI Records |
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Shazamers Who iD'd Jags
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The Holy Pictures David Holmes |
| Four years in the making, since venturing into the rugged rock-jazz-blues arena with The Free Association; to prepare his fourth proper album David Holmes has put aside Hollywood commitments that began as the soundtrack composer for Steven Sorderbergh movies and has nearly become Holmes main activity as forthcoming soundtracks for the Bobby Sands biopic "Hunger" and "Five Minutes of Heaven" undeniably prove. "The holy pictures" is named after the pub his father was a regular of and conceived as a tribute to the city of Belfast and its people. On it our favourite North Irish DJ gives another lecture on eclecticism and takes a 180 degree turn towards the trendy road where shoegazing and krautrock meet. Next to his cinematic instrumentals, the main surprise here is Holmes singing for the first time, in a not too different manner to Jesus & Mary Chain's Jim Reid. Best example is the first single "I heard wonders", helped by Martin Rev, one half of 70s icons Suicide. Other highlights include the closing track "The Ballad Of Jack and Sarah" dedicated to his parents. Altogether, is a beautiful and rewarding record; his most personal to date. | |
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