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Rob Zombie

Rob Zombie

About Rob Zombie

The longtime frontman for metal superstars White Zombie, Rob Zombie was born Robert Cummings on January 12, 1966, in Haverhill, MA, forming the group soon after moving to New York City circa 1985. He subsequently worked as a bike messenger, porn magazine art director, and production assistant for the classic children's TV series Pee-Wee's Playhouse, concurrently leading White Zombie through a series of cult-favorite indie releases; the success of their 1992 major-label debut, La Sexorcisto: Devil Music Vol. 1, not only launched Zombie to new prominence within the music industry, but also allowed him to try his hand at animation (most notably a hallucinatory sequence of the feature Beavis & Butt-Head Do America) and directing (he was slated to helm the third chapter of The Crow franchise, working from his own screenplay, but Miramax Films eventually pulled out of the deal). In mid-1998 Zombie made his solo debut with the album Hellbilly Deluxe; when it sold more copies in its first week of release than any White Zombie record before it, he disbanded the group to forge ahead as a full-time solo act, issuing American Made Music to Strip By in the fall of 1999. Starting his own label, Zombie-a-Go-Go Records, he gave bands like the Ghastly Ones a home while creating demented mix CDs like Halloween Hootenanny. He delivered remixes to a number of soundtracks while recording a new song for the Mission Impossible: 2 soundtrack, and he rounded out his first major solo run with a Rob Zombie toy produced by Todd McFarlane. He began to work on a feature film in April of 2000, funded by Universal Studios after he designed a horror display for their amusement parks. The film, entitled House of 1000 Corpses, was produced and edited, but the studio backed out due to its own corporate standards. Zombie wrangled the rights to the film from the studio while taking out his frustrations on his next solo record, Sinister Urge. Again working with collaborator Scott Humphrey (who had produced his first record), he drafted in a metal superstar cast including Ozzy Osbourne, Slayer guitarist Kerry King, Mötley Crüe/Methods of Mayhem drummer Tommy Lee, and Limp Bizkit's DJ Lethal. The record was another success, leading to a huge Christmas tour with Osbourne at the end of 2001 and another solo tour in the spring of 2002. Zombie sold House of 1000 Corpses to MGM for a Halloween release, although offers from several smaller studios had to be refused because of the financial loss he would have taken. The film was a cult hit, prompting Zombie to begin work on his next piece of celluloid, 2005's Devil's Rejects. He returned to the recording studio in 2006 for Educated Horses, a typically sinister collection of B-movie swagger that hit the Top Ten of the Billboard album charts. After a stint as director and co-writer of the 2007 remake of Halloween, Zombie Live, his first live album, was released in October 2007, the same month he began an arena tour with Ozzy Osbourne. ~ Jason Ankeny & Bradley Torreano, All Music Guide

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Rob Zombie's Discography  (8)

Zombie Live  Zombie Live Geffen Records more more
Educated Horses  Educated Horses Geffen Records more more
Educated Horses  Educated Horses more more
Past, Present & Future  Past, Present & Future Geffen Records more more
The Sinister Urge (Explicit Version)  The Sinister Urge (Explicit Version) more more

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Compilations Featuring Rob Zombie  (20)

Resident Evil: Apocalypse  Resident Evil: Apocalypse The All Blac... more more
Daredevil THE ALBUM Daredevil: THE ALBUM Wind-Up Ente... more more
The Matrix Reloaded The Album;MUSIC FROM AND INSPIRED BY THE MOTION PICTURE The Matrix Reloaded: The Album, MUSIC FR... Warner Bros more more
Matrix Reloaded MUSIC FROM AND INSPIRED BY THE MOTION PICTURE Matrix Reloaded: MUSIC FROM AND INSPIRED... Warner Bros more more
Headbangers Ball  Headbangers Ball RoadRunner R... more more

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Featured Review
Dear Science
TV On The Radio
On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. .
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