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About Katerine
Along with perfomers like Dominique A. and Valerie LeMercier, singer/songwriter Philippe Katerine was among the leaders of the 'minimalist variete' movement in French pop during the mid-1990s. Drawing on influences as diverse as Burt Bacharach and Michel Legrand to the Clash and the Buzzcocks, Katerine signed to the Rosebud label and debuted with the album Les Mariages Chinois; for the follow-up, L'Education Anglaise, he moved out from behind the microphone, allowing his sister Bruno and girlfriend Anne to share vocal duties. A set of four EPs followed, on which Katerine returned to the forefront of his music; the EPs were later collected under the title Mes Mauvaises Frequentations. ~ Jason Ankeny, All Music Guide
Katerine's Discography (4)
| Katerine | Universal Mu... |
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| L'homme A 3 Mains | Barclay |
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| Les Creatures: ENGEGISTREMENTS AVEC THE... | Barclay |
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| Robots Apres Tout |
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Compilations Featuring Katerine (6)
| Avec Léo! | Barclay |
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| French Musique Universelle | Universal Mu... |
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| Bertrand Burgalat Meets A.S Dragon | Tricatel Limited |
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| Atomium 3003: a spectacular collection o... | Bungalow Records |
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| Bonjour, Paris |
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Shazam Recommends...
Shazamers Who iD'd Katerine
| Featured Review | |
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Kids MGMT |
| With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing! | |
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