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Brian Culbertson

Brian Culbertson

About Brian Culbertson

Even though Brian Culbertson might be categorized as jazz lite, his music has enough "oomph" to keep you interested. The talented composer/arranger/keyboardist/trombonist's music has maturity that is, at times, beyond his years, and Culbertson credits his dad with helping him develop an ear for the type of music he makes. His father, Jim Culbertson, a respected high school jazz band director and trumpeter, cultivated a love of sanguine sounds for a young Brian, who eagerly listened to anything his dad listened to. Their Decatur, IL, home would be alive with the recorded sounds of Maynard Ferguson, Buddy Rich, the Brecker Brothers, and David Sanborn. Growing up, Culbertson also listened to '70s R&B/pop/funk bands like Blood, Sweat & Tears, Tower of Power, and Earth, Wind & Fire. Culbertson began his musical training at the age of eight with piano lessons; at nine he moved to drums, at ten trombone, and at 12 bass. Bored with classical recital pieces, he began composing in junior high. By his freshman year in high school, he was experimenting with the then-new Yamaha DX-7 synthesizer and an old four-track recorder in the basement of his parents' home. His dedication earned him six individual and five group Down Beat student awards. During his high-school years, he started getting into MIDI sequencing and synthesizers. He couldn't find players who were able to play his songs on the level he wanted as most of his peers were into heavy metal. So Culbertson, who cites pop producer/songwriter David Foster (Earth, Wind & Fire's "After the Love Is Gone") as one of his strongest influences, learned how to play all the parts himself. After graduation, Culbertson headed to Chicago to begin studies in the music program at DePaul University. On campus, he began to run into high-level musicians and started playing in a band. A family friend helped Culbertson get a deal with Mesa/Blue Moon in 1994. In the bedroom of the apartment he shared with three college buddies, Culbertson single-handedly recorded his debut album, Long Night Out. The album spent ten consecutive weeks in the Top Five of the adult contemporary charts. On his follow-up album, Modern Life, Culbertson eschewed the one-man band approach in favor of a live band made up of some of the best musicians in Chicago, plus stellar saxophonist Gerald Albright. He's since put out several other albums, including After Hours (1995), Secrets (1997), and Somethin' Bout Love (1999). Culbertson's productions include albums by Bob Mamet and Steve Cole. Having gotten into composing advertising jingles, Culbertson has set his sights on soundtracks. In 2001 the pianist (who also could play the trombone, trumpet, and percussion as well) released Nice & Slow, followed by Come on Up in 2003. Two years later he issued It's on Tonight, and in 2006 Soulful Christmas, a collection of holiday favorites as well as an original. ~ Ed Hogan, All Music Guide

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Brian Culbertson's Discography  (6)

Bringing Back The Funk  Bringing Back The Funk The Verve Mu... more more
It's On Tonight  It's On Tonight The Verve Mu... more more
Nice And Slow  Nice And Slow Atlantic Rec... more more
Somthin' Bout Love  Somthin' Bout Love Atlantic Rec... more more
Secrets  Secrets Mesa more more

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Compilations Featuring Brian Culbertson  (11)

Songs Without Words II a windham hill piano collection Songs Without Words II: a windham hill p... BMG Entertainment more more
Velvet Jazz  Velvet Jazz Warner Music... more more
The Very Best Of Jazz FM  The Very Best Of Jazz FM Jazz FM Records more more
Breezin' The Very Best Of Smooth Jazz As Heard On Jazz FM Breezin': The Very Best Of Smooth Jazz A... Jazz FM Records more more
Urban Jazz Grooves smooth sounds for the city Urban Jazz Grooves: smooth sounds for th... Warner Music... more more

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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