Artist Search Results
About Cheryl Lynn
Perhaps the lone artist who got her start on The Gong Show and remained credible, Cheryl Lynn's searing, often captivating voice and great range were showcased on some marvelous dance hits in the late '70s and early '80s. She signed with Columbia in 1978, and her debut LP Cheryl Lynn featured the anthem "Got To Be Real," which topped the R&B charts and reached number 12 pop. The follow-up, "Star Love," was a Top 20 R&B hit, and Lynn kept things going with "Shake It Up Tonight" in 1981, another Top 10 R&B smash. She teamed brillantly with Luther Vandross for a remake of "If This World Were Mine" in 1982, yet another Top 10 hit, and then Lynn topped the R&B charts in 1983 with "Encore." She stayed on Columbia until 1987, then moved to Manhattan, where the 1987 single "If You Were Mine" made it to number 11. She also did background vocals with Lenny Williams. ~ Ron Wynn, All Music Guide
Cheryl Lynn's Discography (3)
| The Best Of Cheryl Lynn: Got To Be Real |
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| Cheryl Lynn | CBS Incorporated |
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Compilations Featuring Cheryl Lynn (20)
| Shark Tale: Motion Picture Soundtrack | Dreamworks R... |
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| Classic V.30 S.01 |
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| Trevor Nelson's Soul Nation | Universal Mu... |
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| Move Your Body: THE EVOLUTION OF CHICAGO... | Unisex Recordings |
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| Let's Groove | Demon Music... |
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Shazam Recommends...
| Luther Vandross |
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| Mary J. Blige |
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| Marvin Gaye |
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| Earth, Wind & Fire |
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| Michael Jackson |
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Shazamers Who iD'd Cheryl Lynn
| Featured Review | |
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Beat Control Tilly And The Wall |
| "O",The third offering from Omaha's indie darlings, left a bitter taste in our mouths while passing completely unnoticed thanks to a lacklustre collection of rather dull tunes. Luckily for the tap-dancing five-piece, they kept an ace up their sleeves and it's about to become an unexpected hit as the Radio 1 has playlisted it. "Beat Control" was originally released as a very limited edition 7" single, in between albums, and it was not meant to be included in "O". Hailed as a shift towards dance-pop, with some discreet electronic touches, it showed a welcomed new direction for the band, away from their habitual folky-pop. Many would have preferred them following that path. Better late than never, if this track confirms its potential it could become the cornestone of Tilly & The wall's future. | |
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