Artist Search Results
About Carlos Vives
Before he graduated from Jorge Tadeo Lozano's University with a publicist degree, singer/songwriter Carlos Vives joined different bands and participated in several plays. In 1982, the artist got a role in the Colombian TV series Tiempo Sin Huella, starting his successful acting career, later extending his professional skills to the Puerto Rican television. After forming a band called La Provincia, the singer and guitarist began performing a local style known as Vallenato, successfully touring his native country and South America. In 1994, Carlos Vives' "La Gota Fria," became his first smash, climbing on the most important music charts around Latin America. In 1996, under the slogan of Unete A Los Locales (Join the Local Ones), the talented musician created his own label, called Gaira, to promote and give an incentive to local artists. ~ Drago Bonacich, All Music Guide
Carlos Vives's Discography (3)
| 20th Anniversary | Sony Discos... |
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| El Amor De Mi Tierra | Trident B.V. |
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| Tengo Fe | Trident B.V. |
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Compilations Featuring Carlos Vives (20)
| Creamfields: Mixed By Paul Oakenfold | New State En... |
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| Billboard Latin Music Awards 2001 | BMG Entertainment |
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| Exitos Calientes | EMI Latin |
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| 577 L |
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| BPR 00-07 |
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Shazam Recommends...
| Featured Review | |
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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