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About Dario G.
With a knack for transforming classic pop songs into modern dance anthems, production trio Dario G enjoyed chart success across Europe in the late '90s. Named after Crewe Alexandra's long-serving manager, original members Paul Spencer and Scott Rosser met during 1989 at college in Manchester, where they were both studying pop music and recording. After graduating, the pair set up a small studio at Paul's Cheshire home and began recording and releasing songs under various names through their own label. In 1996 they met Stephen Spencer, unrelated to Paul, who was working for one of dance music's biggest independent labels, and asked him to join. After signing to Warner Records, the group released "Sunchyme," which heavily sampled Dream Academy's "Life in a Northern Town." Only kept from the number one spot by Elton John's Princess Diana tribute single, it became one of the biggest hits of 1997 -- hitting number one on the U.S. Billboard Hot Dance Music/Club Play Chart -- and its video was used by the Red Cross to promote racial equality. Follow-up "Carnivale de Paris," released a year later, was almost as successful. An unofficial anthem for the 1998 World Cup, it reached number three and was later re-released for the 2002 World Cup. Third single "Sunmachine" (number 17) and the debut album of the same name (number 26) continued their chart success, while final single "Voices" (number 37) was used on the hugely successful The Beach soundtrack and the threesome were nominated for Best Dance Act at the MTV European Music Awards. In 2001, they returned with a full-time vocalist, Ingfrid Straumstoyl, but minus Stephen Spencer, who left the band to pursue other projects. Comeback single "Dream to Me," which used the hook from the Cranberries' "Dreams," became their third Top Ten single, but follow-up single "Say What's On Your Mind" and album In Full Colour failed to chart. They returned in 2003 with "Heaven Is Closer," a reworking of Fiction Factory's "Feels Like Heaven," and again in 2006 with "Ring of Fire," a cover of the Johnny Cash classic, after it became an anthem for Liverpool fans during the 2005-2006 Champions League season. ~ Jon O'Brien, All Music Guide
Dario G.'s Discography (5)
| Ring Of Fire |
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| Ring Of Fire |
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| Carnaval 2002 | Warner Music... |
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| In Full Colour (Commercial/International) |
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| Sunmachine | Warner Music... |
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Compilations Featuring Dario G. (20)
| The Very Best Of Euphoric Dance Breakdown | Ministry Of... |
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| 90 Club Hits From The 90's | WMTV |
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| Big Tunes 3: LIVING FOR THE WEEKEND | Ministry Of... |
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| Clubbers Guide Summer 2005 | Ministry Of... |
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| Jumpers4Goalposts: TODAY'S BIGGEST FOOTI... | Warner Music... |
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Shazam Recommends...
Shazamers Who iD'd Dario G.
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Dear Science TV On The Radio |
| On the way to be established as the best American band of the decade, TV on the Radio's third album has arrived surrounded by five star reviews. Good news is the music totally justifies this level of hype. The Brooklyn-based combo has not abandoned their experimental nature; albeit "Dear Science" sounds deliberately shinier, funkier and more accessible than its, already polished, precursor "Return to Cookie Mountain." Lyrically, though, is quite a darker proposition. Many see on its tone a suitable metaphor to describe their country's collective mood, demoralized and confused, right at the end of Bush's presidency. The band's eclecticism is on full display: electro hooks next to D&B touches; shoegaze's atmospheric layers mixed with post-rock's bass lines via P-funk, often all in the same song. This sonic fusion can be as impressive as disorientating; rich and dense, but also the key that makes TV on the Radio's work improve with repeated listening. Main vocalist Tunde Adebimpe, often helped by guitar player Kyp Malone on second vocals, appears as a sort of missing link between Peter Gabriel and Prince; whereas David Sitek recently turned into producer du jour, applies his multi-instrument playing skills. Members of Antibalas guest on horns, highlighting the romance a new generation of US bands is having with African music. Celebration's Katrina Ford also helps in the mighty single "Golden Age" and the ballad "Family Tree", another of the album's many standout moments. . | |
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