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Shinedown

Shinedown

About Shinedown

Melodic hard rockers Shinedown hail from Jacksonville, FL, and originally featured vocalist Brent Smith, guitarist Jasin Todd, bassist Brad Stewart, and drummer Barry Kerch. Snapped up by Atlantic Records during the early-2000s flurry of post-Creed and Nickelback signings, the group released its debut album, Leave a Whisper, in 2003. Whisper ended up doing quite well for the band (eventually going platinum), aided by its single, "Fly from the Inside." Shinedown also supported it with a heroic slate of live shows, remaining on tour for most of 2004. The following year the band issued a live album documenting those shows, then returned in October 2005 with its sophomore effort, Us and Them, which went gold. The band underwent a few lineup changes in the years to follow, re-emerging in 2008 as a quintet that included Smith and Kerch along with guitarists Nick Perri and Zach Myers and bass player Eric Bass. The long-awaited Sound of Madness, featuring Grammy-winning producer Rob Cavallo (Goo Goo Dolls, Green Day), arrived in July. ~ Ed Rivadavia, All Music Guide

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Shinedown's Discography  (3)

The Sound Of Madness  The Sound Of Madness Atlantic Rec... more more
Us And Them  Us And Them Atlantic Rec... more more
Leave A Whisper  Leave A Whisper more more

Compilations Featuring Shinedown  (1)

Killer Queen A TRIBUTE TO QUEEN Killer Queen: A TRIBUTE TO QUEEN Hollywood Re... more more

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Featured Review
Kids Kids
MGMT
With 2005's "Time To Pretend" MGMT created a musical moment that would resonate for the next three years, putting it amongst the creme de la creme of new millennium indie anthems. With latest single, "Kids", MGMT fail to scale the heights they did with their first single, but still deliver a track that has met with strong approval from such critical sources as Pitchfork media, Zane Lowe and, surprisingly, dance music bible Mixmag who cited it as one of their "tunes of the year". Sporting an overridingly childlike melody that shimmers due to the interesting use of a distorted stylophone, the track washes over the listener thanks to the great use of a Gary Numan-esque synth line. This is all brought to the fore on the new remix by Belgian dance maestros Soulwax, who turn the muted indie cool of the original into an irrepressible club monster. If any evidence is needed, here is a clip of Erol Alkan playing the track at the recent Pukkelpop festival. Quite simply, amazing!
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