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Jon Secada

Jon Secada

About Jon Secada

Jon Secada (he legally changed his first name from Juan in 1990) immigrated to the U.S. at the age of nine in 1971, settling in Miami where his parents opened a coffee shop. He earned both a B.A. and a M.A. in jazz vocal performance at the University of Miami. Becoming involved with Gloria Estefan's career, he co-wrote six songs on her multi-platinum 1991 album Into the Light, among them the number one hit "Coming out of the Dark," and sang backup vocals on her subsequent tour. Then he signed to SBK Records and launched his own career with a self-titled debut record in 1992. With only one album, he became one of the biggest adult contemporary artist of the '90s, selling over six million albums worldwide. His smooth mix of R&B, pop, and Latin music appealed to a number of different audiences. As well as becoming a huge English-language pop star, he became one of the hottest Latin artists recording in the '90s; Otro Día Más Sin Verte (a Spanish-language version of Jon Secada) was Billboard's number one Latin album in 1992 and won a Grammy for Best Latin Pop Album. His second English-language album, Heart, Soul & a Voice (1994), sold over a million copies. Amor (1995), his second Spanish-language album, won him another Grammy. Secada (1997) was a commercial disappointment, and the singer moved to Sony Music's Epic Records where his first duties including writing songs for labelmates Ricky Martin and Jennifer Lopez. In July of 2000, Epic released his label debut, Better Part of Me. ~ Stephen Thomas Erlewine, All Music Guide

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Featured Review
Another Way To Die Another Way To Die
Alicia Keys & Jack White
When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool.
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