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About Ruff Endz
Ruff Endz, the hip-hop soul duo of David "Davinch" Chance and Dante "Chi" Jordan, formed in Baltimore in the mid-'90s. Named after their trouble finding a record deal, the group came up in West Baltimore, originally part of a quartet. Davinch and Chi soon found chemistry between their voices, and struck out on their own by 1994. They recorded a demo tape with producer Troy Patterson, but didn't find success until another recording project, helmed by Oji Pierce, was heard by executives at Epic. With productions featuring Pierce, Manuel Seal, and Nokio, Ruff Endz' debut album Love Crimes dropped in August 2000. They wouldn't follow it up for almost two years, bringing Someone to Love You to the public in the spring of 2002. ~ John Bush, All Music Guide
Ruff Endz's Discography (7)
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Greatest Hits |
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Greatest Hits |
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Someone To Love You | Sony Music E... |
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Someone To Love You |
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Someone To Love You |
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Compilations Featuring Ruff Endz (20)
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R&B Sessions |
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Bullet Proof Wallets | Sony Music E... |
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Bullet Proof Wallets | Sony Music E... |
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The Very Best Of Pure R&B: THE SUMMER CO... | BMG |
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The Very Best Of Pure R&B: THE SUMMER CO... | BMG |
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Shazamers Who iD'd Ruff Endz
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Another Way To Die Alicia Keys & Jack White |
| When Jack White and Alicia Keys were asked to write the theme to the latest Bond film, Quantum of Solace, it wasnt exactly the straightforward task you might imagine. Not only did they have to take the place of a much anticipated effort from Amy Winehouse, which predictably never materialised, they were also faced with the challenge of writing a theme for one of the most awkwardly phrased Bond films of all time. Quantum of Solace hardly rolls off the tongue after all! The result is a workmanlike effort that draws on many trademark elements of both the Bond franchise and the musicians musical repertoire. With snarling guitar riffs from Jack, overblown vocals and twinkling piano from Alicia and a few orchestral style stabs that hark back to the original John Barry theme, Another Way to Die is equal but no better than the sum of its parts. Despite popjustice.com branding the track the worst Bond theme of all time this song will fulfil its design brief when the credits to the film are rolling as it has enough OTT touches to make the expensive graphics look cool. | |
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